The greater part of Netley Abbey; all the eastern portions of Westminster Abbey; the eastern arm of Lincoln Cathedral;[85] the chapter-house[86] and cloisters at Salisbury; all that remains of Newstead Abbey; and the nave of Lichfield Cathedral. Of a period a shade later I would recommend the nave of St. Mary’s Abbey at York; the whole of Tintern Abbey; the chapter-houses at Southwell and at York, and the eastern parts at St. Albans. The two latter are, however, productions of the completed style rather than of the transition, and to give a list of objects of study in that style would be almost hopeless, for the country is filled with them. Nor do I admire so exclusively the earlier work as to exclude from the better half of our Mediæval range yet later specimens of the Middle Pointed. I cannot but think the gateways of St. Augustine’s at Canterbury, of Battle Abbey, and of that of Bury St. Edmund’s; the halls of Mayfield, Penshurst, and the lost hall at Worcester; the lost chapel and the still existing crypt of St. Stephen’s; the choir at Winchelsea; the Lady Chapel at Chichester; and a long list of other buildings of the earlier part of the fourteenth century, to be works claiming our high regard and admiration, and I consequently recommend them also to your careful study. The very latest phase of the Decorated style is often weak, but I will not suppose _you_ to be so much so as to be unable to sever its beauties from its faults, or to be in danger of condemning or admiring good and bad alike; and a yet more vigorous discretion is needed in studying from the works of the succeeding ages, though, _all through_, you will find not only objects of high intrinsic merit, but constant suggestions capable of being advantageously _translated_ into a more vigorous style.[87]