Lectures on the rise and development of medieval architecture; vol. 1Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 1
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
I think that our experience of the last few years has suggested to us:
first, the expediency of returning in some modified degree to the rule
from which we had departed, of adopting as our normal type the
architecture of _one_ period, and that not the very earliest though
still an _early_ period; but, secondly, the desirableness of not making
our self-imposed rule too strait; of, thirdly, making our revival
distinctly _English_; though, fourthly, not refusing to enrich and
amplify our English revival with the spoils of our foreign study.
I would, then, suggest that, while your basis should be the earliest
form of what has been called “_complete_ Gothic” (such, for example, as
that of Westminster Abbey, the eastern part of Lincoln, Newstead Abbey,
and the nave of Lichfield), this should be taken rather in a
_representative_ than in a _literal_ sense; that your revived style and
its developments should, in short, be based on the earlier and more
vigorous half of Mediæval architecture, which earlier half should be
_represented_ by its central point, _as a nucleus_ round which it
rallies, and into which the beauties of the _whole_ may be collected;
that the point chosen should be _inclusive_ of much which preceded and
followed it, and _exclusive_ of nothing with which it will consistently
amalgamate. Nor would I condemn as latitudinarian an occasional
departure, either forward or backward, from this _point de départ_; only
asking that the early styles may be, in a certain degree, viewed as
_one_ in our revival, rather then split up into _many_, and their
details, with proper judgment and self-restraint, be considered capable
of being united, when occasion seems really and distinctly to call for
it, in one work, or the earlier and less early forms be used, as may be
preferred, for buildings intended to express more of vigour or of
delicacy. I would not, however, advocate too free a use of this liberty,
and would therefore propose that the early “completed” style, of which
Westminster Abbey is our great type, should be always viewed as our
_central and normal type and rallying-point_.[89]
Public-domain text, read in full here on John Shaqi.
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