178-179. Westminster Abbey. Angels, from the Triforium of the South Transept 312 180. Westminster Abbey. Mosaic from the Tomb of the Children of Henry III. and Edward I. 313 181. Temple Church, London. Capitals, West Door 314 182. Montmartre. Capitals from 319 183. St. Julien le Pauvre, Paris. Plan of Choir 320 184. Do. View of Choir 321 185. Do. South Aisle of Choir 322 186. Do. Chapel, south side of Choir 323 187-188. Nôtre Dame, Paris. Western Portals. Corbels from 324 189-191. St. Martin aux Champs, Paris. Capitals from 325 192. El Barah, Central Syria. Capital from 336 ERRATA. Page 81, Fig. 19, _for_ Temple of Mars, Ultor, _read_ Temple of Mars Ultor. “ 94, line 26, _for_ Choir at the Trinity Chapel, _read_ Choir and the Trinity Chapel. “ 170, Contents, line 6, _for_ Stanford, _read_ Stamford. “ 175, foot-note, _for_ Beavais, _read_ Beauvais. MEDIÆVAL ARCHITECTURE. LECTURE I. The Claims of Mediæval Architecture upon our Study. Introduction--Art follows the course of civilisation--Three _primâ facie_ claims Gothic Architecture has upon Study--Additional claim, that it is Christian Architecture--Objections to the title--Explanations of the term--Byzantine the earliest Christian style--Summary of the Historical claims of Mediæval Architecture--Its intrinsic claims--Abstract beauty--Advantages of an arcuated over a trabeated style--Facility in decorating construction, and in converting structural features into elements of beauty--Adaptability to varied climates--Unites all arts in one--Painted glass--Sculpture--Foliated sculpture--Gothic Architecture suited to the severest and most elegant styles--Beauty of external outline--Delicacy of mouldings--Religious solemnity of the interior of its temples--The spirit with which the study of Mediæval Architecture should be undertaken--How to be pursued--Practical objects for which it should be followed up.