Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
There is a curious parallelism in this respect between the buildings of
ancient Greece, of Etruria, and of England. In Greece we find clear
proofs of the architectural style having been founded on timber
construction, though the Cyclopean walls, etc., of the primæval cities
(whether the works of the same or a different race) forbid the thought
that the use of stone was ever unknown. In Etruria we find no less
gigantic walls, though we learn from Vitruvius that timber entered
largely even into the construction of their temples, and suggested the
peculiarities of the Tuscan order. If, then, in Saxon England we find
the words “_to build_” to be derived from _timber_;--if we learn from
early writers that the majority of their buildings were of wood; and if
we find in their stone buildings indications of their imitating the
construction of timber framing, we need no more conclude that our
forefathers were ignorant of stone building, where it was needful, than
that the early Greeks or Etrurians used timber from ignorance of the use
of stone.
They were colonists, though conquerors. They were, no doubt, but very
partially civilised; and, settling down as strangers in a country from
which they had driven out the old inhabitants, and whose towns they had
in great measure destroyed, they were likely (as colonists do in our own
day) to make the largest use of the material most ready to their hand,
and to defer to more settled times the use of a more permanent manner of
building.
The paucity of remains of buildings of the period between the
dissolution of the Roman Empire in the West and the eleventh century, is
by no means peculiar to our own country. Throughout Northern Europe the
same fact prevails. The earlier waves of northern invaders were absorbed
in the old civilisation, but each successive wave made a deeper and a
deeper inroad into the remaining arts of the old world. It was natural
then, that, on the return of art and civilisation, the works of this
dark period should be deemed unworthy of preservation, and were replaced
by new erections. In our own country the Romans had not been overcome,
but had simply withdrawn, so that the dissolution of art was a more
rapid work than in most other parts of the old empire, while the early
efforts of the Saxons were over and over again destroyed by the yet
uncivilised and unchristianised Scandinavians, from the last of whose
devastations there was hardly time to recover before the Anglo-Saxon
monarchy was overthrown by the Normans. No wonder, then, that the
conquerors, though but then become adepts in architecture themselves,
should disdainfully reconstruct nearly all the churches and greater
edifices of their predecessors in that new manner of building in which
they had been so recently instructed, and for the carrying out of which
their conquest had supplied them with such ample means.
Public-domain text, read in full here on John Shaqi.
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