Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
There exist, however, throughout the length and breadth of the land,
remnants, and, in a few instances, large portions, of buildings of a
wholly exceptional character; not assignable to the Norman or any other
of the well-known styles which have prevailed in England; but evidently
of earlier date. They are clearly not early Norman; for, with the single
exception of the round arch, they have nothing in common with the
specimens of that style erected in the reign of the Conqueror, but are
clearly of a style quite distinct from them. In one instance, we have a
tower known to have been erected in the days of the Conqueror, in
juxtaposition with the remains of a church in this more ancient style;
and in many other instances we have Norman features in connection with
these mysterious remains, and to every eye asserting the entire
diversity of their art. In some instances, again, as at Monk Wearmouth,
Jarrow, Brixworth, and Deerhurst, the remains of this style are on the
sites where churches are recorded to have been built in Anglo-Saxon
days. These remains correspond in character with buildings represented
in Saxon illuminated books. They evince in many instances evidence of
having been built in rude imitation of the Roman works of those periods,
though in some instances they seem also to suggest the imitation of
timber construction.
The most obvious rules of induction, then, point to the conclusion that
these are the remains of buildings of Anglo-Saxon date.[4]
The leading characteristics of these remains (though not all of them to
be found in every instance, and probably varying with the date) are as
follows:--The frequent decoration of the external walls with pilaster
strips, as is so common in early Italian churches, and afterwards in
Germany; the bonding of these by alternate vertical and horizontal
stones; the imitation of this mode of bonding in quoins where no such
strips are used, and in the jambs of doorways and other openings,
excepting where Roman brick is of frequent occurrence; the jambs of
doorways running _square through_ the thickness of the wall, without
recessed orders, and the door itself hung against the inner face of the
wall; the frequent use of a kind of pilaster on either side both of
doorways and archways, the impost moulding sometimes breaking round, and
sometimes stopping against them, and a continuation of the pilaster
going round the arch;[5] the occasional use of triangular heads to doors
and windows; the use of what are called baluster columns, or short
pillars, turned in a lathe, not unlike Elizabethan balusters, bulging in
the middle and ornamented with a number of mouldings of trifling relief,
such as turners of all ages delight in (these are used for the division
of windows, and other purposes); the windows which are usually set high
in the wall, are often equally splayed within and without, and the
arches sometimes more splayed than the jambs, and slanting upwards like
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