Lectures on the rise and development of medieval architecture; vol. 2 — John Shaqi
Lectures on the rise and development of medieval architecture; vol. 2Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 2
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
Quite in accordance with this is the character of what we call in this
country Early Norman. Had Norman architecture been fully matured before
its transplantation into England, we should not recognise its earlier
productions by evidences founded upon rudeness and immaturity; yet such
is unquestionably the case. Noble and vigorous as are the works of the
Normans of the early days of their occupation of England, they
undoubtedly bear evidences of an early and archaic stage of their form
of art; and, even in Normandy itself, we do not find buildings of great
architectural importance of dates much antecedent to those of the first
structures built by the invaders of England. Early Norman in England
would still be Early Norman, if in Normandy; so that we may consider the
style, though generated on French soil, to have run the greater part of
its course _pari passu_ in both countries.
The investigations made and recently published by M. Bouet, of Caen,
into the architectural history and changes of the abbey church of St.
Stephen, founded in that city by the Conqueror, fully bear out this
view, and show that the church, as built by William, was a very
different and much more archaic structure than that which we now see; a
large proportion of the more prominent features of which are proved to
be the overlayings of later, though still Romanesque, times.[15]
As it is not my purpose, generally, to illustrate my description of the
Norman style by its productions on its native soil, I shall select the
church just named as the _point de départ_, by means of which I shall
transfer my consideration of the style from Normandy to England. There
are several churches of earlier date than this, such as parts of the
abbey churches of Jumièges and Bernay,[16] but St. Stephen’s is clearly
the great connecting link. In the first place, it was built by the
Conqueror, and was in actual progress when he invaded England; and, in
the second place, Lanfranc, the first abbot of St. Stephen’s, which was
built under his direction, was also the first metropolitan of England
appointed under the Norman dynasty, and immediately on his assumption of
the see of Canterbury,--only four years after William’s arrival,--he
commenced the rebuilding of the cathedral (then lying in ruins), after
the almost precise design of his own abbey church at Caen. This abbey
church, then, at Caen, and the metropolitan church of England, were
built under the influence of the same monarch and at the same time; for,
though St. Stephen’s was first begun, it would appear that Canterbury
was finished first: they were built under the direction of the same
ecclesiastical head, and in all leading features were on the same
design, their plans being absolutely identical. The only difference of
importance was the existence at Canterbury of the crypt, on which the
choir was raised by many steps,--a reminiscence of the church built by
St. Augustine, described in my last lecture, while such did not exist at
St.
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