Lectures on the true, the beautiful and the goodCousin, Victor
Philosophy
Lectures on the true, the beautiful and the good
Cousin, Victor
Aesthetics; Ethics; Truth
Benedict the abode whither
his sister is going to enjoy eternal peace. A slight ray of the sun
pierces the cloud. St. Benedict is as it were lifted up from the earth
by this ecstatic vision. One scarcely desires a more lively color, and
the expression is divine. Those two virgins, a little too tall, perhaps,
how beautiful and pure they are! How sweet are those forms! How grave
and gentle are those faces! The person of the holy monk, with all the
material accessories, is perfectly natural, for it remains on the earth;
whilst his face, where his soul shines forth, is wholly ideal, and
already in heaven.
But the _chef-d'oeuvre_ of Lesueur is, in our opinion, the _Descent
from the Cross_, or rather the enshrouding of Jesus Christ, already
descended from the cross, whom Joseph of Arimathea, Nicodemus, and St.
John are placing in the shroud. On the left, Magdalen, in tears, kisses
the feet of Jesus; on the right, are the holy women and the Virgin. It
is impossible to carry the pathetic farther and preserve beauty. The
holy women, placed in front, have each their particular grief. While one
of them abandons herself to despair, an immense but internal and
thoughtful sadness is upon the face of the mother of the crucified. She
has comprehended the divine benefit of the redemption of the human race,
and her grief, sustained by this thought, is calm and resigned. And then
what dignity in that head! It, in some sort, sums up the whole picture,
and gives to it its character, that of a profound and subdued emotion. I
have seen many _Descents from the Cross_; I have seen that of Rubens at
Antwerp, in which the sanctity of the subject has, as it were,
constrained the great Flemish painter to join sensibility and sentiment
to color; none of those pictures have touched me like that of Lesueur.
All the parts of art are there in the service of expression. The drawing
is severe and strong; even the color, without being brilliant, surpasses
that of the _St. Bruno_, the _Mass of St. Martin_, the _St. Paul_, and
even that of the _Vision of St. Benedict_; as if Lesueur had wished to
bring together in it all the powers of his soul, all the resources of
his talent![137]
Public-domain text, read in full here on John Shaqi.
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