four figures of natural grandeur,--_Faith, Prudence, Justice, Charity_. There were four bas-reliefs in bronze, representing the _Triumphs of Renown, Time, Death_, and _Eternity_. In the _Triumph of Death_, the artist had represented a certain number of illustrious moderns, among whom he had placed himself by the side of Michael Angelo.[168] We can still contemplate in the court of the Louvre, in the pavilion of the Horloge, those caryatides of Sarazin at once so majestic and so graceful, which are detached with admirable relief and lightness. Have Jean Goujon and Germain Pilon done any thing more elegant and lifelike? Those females breathe, and are about to move. Take the pains to go a short distance[169] to visit the humble chapel that now occupies the place of that magnificent church of the Carmelites, once filled with the paintings of Champagne, Stella, Lahire, and Lebrun; where the voice of Bossuet was heard, where Mlle. de Lavalliere and Mme. de Longueville were so often seen prostrated, their long hair shorn, and their faces bathed in tears. Among the relics that are preserved of the past splendor of the holy monastery, consider the noble statue of the kneeling Cardinal de Berulle. On those meditative and penetrating features, in those eyes raised to heaven, breathes the soul of that great servant of God, who died at the altar like a warrior on the field of honor. He prays God for his dear Carmelites. That head is perfectly natural, as Champagne might have painted it, and has a severe grace that reminds one of Lesueur and Poussin.[170]