English literature -- 20th century; English poetry -- 20th century
GOD’S in His Heaven: He never issues
(Wise Man!) to visit this world of ours.
Unchecked the cancer gnaws our tissues,
Stops to lick chops and then again devours.
Those find, who most delight to roam
’Mid castles of remotest Spain,
That there’s, thank Heaven, no place like home;
So they set out upon their travels again.
Beauty for some provides escape,
Who gain a happiness in eyeing
The gorgeous buttocks of the ape
Or Autumn sunsets exquisitely dying.
And some to better worlds than this
Mount up on wings as frail and misty
As passion’s all-too-transient kiss
(Though afterwards—oh, _omne animal triste_!)
But I, too rational by half
To live but where I bodily am.
Can only do my best to laugh.
Can only sip my misery dram by dram.
While happier mortals take to drink,
A dolorous dipsomaniac,
Fuddled with grief I sit and think,
Looking upon the bile when it is black.
Then brim the bowl with atrabilious liquor!
We’ll pledge our Empire vast across the flood:
For Blood, as all men know, than Water’s thicker,
But water’s wider, thank the Lord, than Blood.
MORNING SCENE
LIGHT through the latticed blind
Spans the dim intermediate space
With parallels of luminous dust
To gild a nuptial couch, where Goya’s mind
Conceived those agonising hands, that hair
Scattered, and half a sunlit bosom bare,
And, imminently above them, a red face
Fixed in the imbecile earnestness of lust.
VERREY’S
HERE, every winter’s night at eight,
Epicurus lies in state,
Two candles at his head and two
Candles at his feet. A few
Choice spirits watch beneath the vault
Of his dim chapel, where default
Of music fills the pregnant air
With subtler requiem and prayer
Than ever an organ wrought with notes
Spouted from its tubal throats.
Black Ethiopia’s Holy Child,
The Cradled Bottle, breathes its mild
Meek spirit on the ravished nose,
The palate and the tongue of those
Who piously partake with me
Of this funereal agape.
FRASCATI’S
Public-domain text, read in full here on John Shaqi.
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