English literature -- 20th century; English poetry -- 20th century
But I happened to look inwards among the machinery of our roundabout,
and there I saw a slobbering cretin grinding at a wheel and sweating as
he ground, and grinding eternally. And when I perceived that he was the
author of all our speed and that the music was of his making, that
everything depended on his grinding wheel, I thought I would like to get
off. But we were going too fast.
BACK STREETS
BACK streets, gutters of stagnating darkness where men breathe
something that is not so much air as a kind of rarefied slime. . . . I
look back down the tunnelled darkness of a drain to where, at the mouth,
a broader, windier water-way glitters with the gay speed and motion of
sunlit life. But around all is dimly rotting; and the inhabitants are
those squamous, phosphorescent creatures that darkness and decay beget.
Little men, sheathed tightly in clothes of an exaggeratedly fashionable
cheapness, hurry along the pavements, jaunty and at the same time
furtive. There is a thin layer of slime over all of them. And then there
are the eyes of the women, with their hard glitter that is only of the
surface. They see acutely, but in a glassy, superficial way, taking in
the objects round them no more than my western windows retain the
imprint of the sunset that enriches them.
Back streets, exhalations of a difficulty puberty, I once lived on the
fringes of them.
LAST THINGS
THERE have been visions, dark in the minds of men, death and
corruption dancing across the secular abyss that separates eternity from
time to where sits the ineluctable judge, waiting, waiting through the
ages, and ponders all his predestinated decrees. There will be judgment,
and each, in an agony of shame, reluctant yet compelled, will turn his
own accuser. For
Tunc tua gesta noxia
Secreta quoque turpia
Videbunt mille millia
Virorum circumstantia.
There under the unwinking gaze of all the legions of just men made
perfect, the poor prisoner will uncover each dirty secret of his heart,
will act over again each shameful scene of his life. And those eyes of
saints and angels will shine impassively down upon his beastliness, and
to him, as he looks at their steady brilliance, they will seem a million
of little blazing loopholes slotted in the walls of hell.
Hildebert, this was your vision as you brooded over death and judgment,
hell and heaven, in your cloister, a thousand years ago. Do you not envy
us our peace of mind who know not four ultimates, but only one? For whom
the first of the Last Things is also the last—us, whom death
annihilates with all our shame and all our folly, leaving no trace
behind.
GOTHIC
Public-domain text, read in full here on John Shaqi.
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