English literature -- 20th century; English poetry -- 20th century
III
“HELEN, your letter, proving, I suppose,
That you exist somewhere in space, who knows?
Somewhere in time, perhaps, arrives this morning,
Reminding me with a note of Lutheran warning
That faith’s the test, not works. Works!—any fool
Can do them if he tries to; but what school
Can teach one to credit the ridiculous,
The palpably non-existent? So with us,
Votaries of the copulative cult,
In this affair of love, _quicumque vult_,
Whoever would be saved, must love without
Adjunct of sense or reason, must not doubt
Although the deity be far removed,
Remote, invisible; who is not loved
Best by voluptuous works, but by the faith
That lives in absence and the body’s death.
I have no faith, and even in love remain
Agnostic. Are you here? The fact is plain,
Constated by the heavenly vision of you,
Maybe by the mouth’s warm touch; and that I love you,
I then most surely know, most painfully.
But now you’ve robbed the temple, leaving me
A poor invisibility to adore,
Now that, alas, you’re vanished, gone . . . no more;
You take my drift. I only ask your leave
To be a little unfaithful—not to you,
My dear, to whom I was and will be true,
But to your absence. Hence no cause to grieve;
For absence may be cheated of a kiss—
Lightly and laughing—with no prejudice
To the so longed-for presence, which some day
Will crown the presence of
Le Vostre J.
(As dear unhappy Troilus would say).”
IV
OH, the maggots, the maggots in his brains!
Words, words and words.
A birth of rhymes and the strangest,
The most unlikely superfœtations—
New deep thoughts begot by a jingle upon a pun,
New worlds glimpsed through the window of a word
That has ceased, somehow, to be opaque.
All the muses buzzing in his head.
Autobiography crystallised under his pen, thus:
“When I was young enough not to know youth,
I was a Faun whose loves were Byzantine
Among stiff trees. Before me naked Truth
Creaked on her intellectual legs, divine
In being inhuman, and was never caught
By all my speed; for she could outrun thought.
Now I am old enough to know I am young,
I chase more plastic beauties, but inspire
Life in their clay, purity in their dung
With the creative breath of my desire.
And utter truth is now made manifest
When on a certain sleeping face and breast
Public-domain text, read in full here on John Shaqi.
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