English literature -- 20th century; English poetry -- 20th century
Action, action! First of all
He spent three pounds he couldn’t afford
In buying a book he didn’t want,
For the mere sake of having been
Irrevocably extravagant.
Then feeling very bold, he pressed
The bell of a chance house; it might
Disclose some New Arabian Night
Behind its grimy husk, who knows?
The seconds passed; all was dead.
Arrogantly he rang once more.
His heart thumped on sheer silence; but at last
There was a shuffling; something behind the door
Became approaching panic, and he fled.
VIII
“MISERY,” he said, “to have no chin,
Nothing but brains and sex and taste:
Only omissively to sin,
Weakly kind and cowardly chaste.
But when the war is over,
I will go to the East and plant
Tea and rubber, and make much money.
I will eat the black sweat of niggers
And flagellate them with whips.
I shall be enormously myself,
Incarnate Chin.”
The anguish of thinking ill of oneself
(St. Paul’s religion, poignant beyond words)
Turns ere you know it to faint minor thirds
Before the ritualistic pomps of the world—
The glass-grey silver of rivers, silken skies unfurled,
Urim and Thummim of dawn and sun-setting,
And the lawn sleeves of a great episcopal cloud,
Matins of song and vesperal murmuring,
Incense of night-long flowers and earth new-ploughed;
All beauties of sweetness and all that shine or sing.
Conscience is smoothed by beauty’s subtle fingers
Into voluptuousness, where nothing lingers
Of bitterness, saving a sorrow that is
Rather a languor than a sense of pain.
So, from the tunnel of St. Martin’s Lane
Sailing into the open Square, he felt
His self-reproach, his good resolutions melt
Into an ecstasy, gentle as balm,
Before the spire, etched black and white on the calm
Of a pale windless sky, St. Martin’s spire,
And the shadows sleeping beneath the portico
And the crowd hurrying, ceaselessly, to and fro.
Alas, the bleached and slender tower that aches
Upon the gauzy sky, where blueness breaks
Into sweet hoarseness, veiled with love and tender
As the dove’s voice alone in the woods: too slender,
Too finely pencilled—black and bleaching white
On smoky mist, too clear in the keen light
Of utmost summer: and oh! the lives that pass
In one swift stream of colour, too, too bright,
Too swift—and all the lives unknown,
Alone.
Alas. . . .
A truce to summer and beauty and the pain
Of being too consciously alive among
The things that pass and the things that remain,
(Oh, equal sadness!) the pain of being young.
Public-domain text, read in full here on John Shaqi.
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