To understand my story the better, gentlemen, you must yemaygine
to yourselves a snug well-doing Nairnshire farmer's onstead, [1]
situated in the parish of Auldearn, with a comfortable dwelling-house,
of two low stories, accurately put down, so as mathematically
to face the twelve o'clock line,--with its crow-steppit gables,
small windows, little out-shot low addition behind, tall chimneys,
and grey-slated roof--just such a house, to wit, as a man of his
condition required in the middle of the last century--with two lines
of strange-looking thatched or sod-covered stables, byres, barns,
and other out-houses, projecting from its sides at right angles to
its front, with divers out-riders, and isolated straggling edifices,
of similar architecture and materials, dropped down here and there, as
the hand of chance might have sown them--the smoke coming furth from
some of their lumm-heads, and partly also from their low door-ways,
proving to you, almost against your conviction, that they actually
are the dwelling-places of human beings.--Fancy the whole grouped
(as Mr. Grant, the long painter lad of Grantown, would have said)
with sundry goodly rows of peat and turf stacks, a number of corn
ricks wonderfully formed, and bulging and hanging out of the centre
of gravity, each in a different direction, like a parcel of drunken
Dutch dancers;--in the midst of all a large midden--(query whether the
word midden may not be a mere corruption of the words middle-in,--the
midden being always in the middle of all rural premises in Scotland? so
that unlucky visitors not unfrequently walk up to the middle into the
middle of it.)--Then picture to yourselves, behind the biggins, sundry
kail-yards, with a few very ancient ash trees, sycamores, and rowan
trees, rising from among their bourtree fences, or from the sides of
their dilapidated dry-stone dikes. At a little distance below, a bog,
with its attendant pools of dark moss-water, which shine amidst the
black chaotic mass around them, and look blue by their reflection of
the sky--with a half-ruined and roofless killogie, or kiln for drying
corn and malt, standing on a sloping bank at no great distance from
them. Then people all this with the farmer himself, a stout, hale,
healthy-looking man, going bustling about from door to door among
his folk, his muck-carts, and his horses, with a hodden-grey coat
upon his back, a broad blue bonnet on his head, a hazle staff in his
hand, and a colley and one or two rough terriers and greyhounds at his
heels, shouting every now and then in Gaelic to his man, John Smith,
a tall, handsome, strong-built Highlander, whilst the gudeman's wife,
a very good-looking, round-formed, trigly-dressed Englishwoman,
is seen appearing and disappearing from under the wooden porch,
over which some attempts have been made to trail a plant or two of
rose and honeysuckle, but which attempts have been rendered abortive
by the epicurean taste of the browsing animals of the farm--her south
Public-domain text, read in full here on John Shaqi.
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