Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
I spend the evening of the same day in a good first-class hotel in
the town of Malmö. At half-past ten they begin to split wood in the
corridor without anyone objecting to it, and that in a continental
hotel full of tourists! This is followed by dancing. Later on they
turn a machine with wheel-work. I get up, pay my reckoning, and
determine to continue my journey the whole night. Absolutely alone, in
the cold January night, I drag myself on, with my carpet bag, under a
pitch black sky. For a moment I think the best thing would be to lie
down in the snow, and die. But the next moment I collect my strength,
and turn into a deserted back street where I find an unpretending
hotel. After making sure that I am not watched, I slink in through the
door. Without taking off my clothes I stretch myself upon the bed,
firmly resolved rather to let myself be killed than obliged to get up
again.
There is a death-like silence in the house, and delightful sleep
approaches. Suddenly I hear a sound as though an invisible paw was
scratching in the paper covering of the ceiling immediately over my
head. It cannot be a mouse, for the loosely hanging paper does not
move; besides, it seems to be a fairly large paw, like that of a hare,
or a dog. Till the grey of morning I lie awake, expecting to feel the
claws in my flesh, but in vain, for anxiety is more painful than death.
Why do I not become ill after such tortures as these? Because I have to
empty the cup of suffering to the dregs, in order that the punishments
undergone may be equivalent to the wrongs committed. And it is really
remarkable how I manage to endure the tortures; I swallow them down
with a kind of grim joy in order to get done with them.
II
MY WRETCHEDNESS INCREASES
When the New Year with its numerous holidays has passed, I find myself
one fine day alone. It is as though a hurricane had passed by; all are
scattered, blown away, shipwrecked. My friend the doctor has entered
the hospital as a patient. As a matter of fact, weakened by dipsomania,
hard-pressed by poverty, and worn out by want of sleep, he is suffering
from "neurasthenia." This is pitiful, and, instead of going to the
tavern, I turn my steps to the hospital for an hour's conversation and
society. In the café I am the only one who drinks anything alcoholic,
for my three companions have taken the pledge. The poet has gone away.
The young aesthete, the son of the Professor of Ethics, has been
sent abroad in order to be freed from the evil companionship of the
"seducer of youth," _i.e._ myself.
Public-domain text, read in full here on John Shaqi.
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