Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
Thus I feel no longer lonely and deserted. The young scholar seems to
have come to me as a messenger from the Powers; I can confide all to
him, and while we compare our experiences, we lend each other mutual I
support on the narrow path in the valley of suffering. He also has been
struck in his youth, and all men are violently roused from sleep! There
is a universal awakening proceeding, and what is to be its goal?
III
MY WRETCHEDNESS INCREASES (cont.)
Swedenborg, my guide in the darkness, has finally revealed himself
as an avenger. His Arcana Coelestia speaks only of hell and of
punishments which are executed by evil spirits, _i.e._ devils. Not
a word of comfort or grace. And yet, while I was still young, the
Devil had been got rid of; everyone laughed at him, and now, by the
irony of accident, they are just preparing to keep the jubilee of
the philosopher Bostrom, who did away with hell and annihilated the
Devil. In my youth this thinker was regarded as a reformer, and now the
Devil is preparing a renaissance for himself. He has crept into the
productions of the so-called Satanic literature, into the fine arts by
the side of Christ, and even into trade. Last Christmas I noticed that
the Christmas presents were adorned with little devils and goblins,
both the children's toys and comic objects which elder people buy for
each other, such as spice cakes and almanacks. Is there really a devil,
or is he only a half-real bugbear projected from the unseen in order to
make a strong impression on us, and to drive us to the Cross? I had not
yet succeeded in finding an answer to this question, when, one cold,
wet evening my friends took me to a sculptor, who is a freethinker
and atheist, as are the other members of the theosophical society to
which he belongs. He has a private collection of clay ornaments on
view intended for the Stockholm Exhibition. In these, with repulsive
realism and cynicism, the Devil is represented in different attitudes,
and always with a priest who is terrified at him. People laugh at them,
but I cannot laugh, and think to myself "Wait, and we shall see!" After
an interval of four months I meet the sculptor in the street. He looks
troubled, as though some misfortune had happened to him. "Can you
imagine," he says, "such a piece of infernal bad luck? They have just
broken three of my best figures in unpacking them at the Exhibition." I
feel immensely interested, and simultaneously with my condolence over
his misfortune I ask with almost shameless curiosity, "And which of
your statuettes were they?"
"Three of the Devil, I believe."
I do not laugh, but answer with a smile, "There, you see! Lucifer does
not like to be caricatured."
Public-domain text, read in full here on John Shaqi.
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