Legends: Autobiographical SketchesStrindberg, August
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Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
This constant condition of poverty seems to me so clearly to depend
upon some special purpose of Providence that I finally endure it
willingly as a part of my penance and do not try to resist it any
more. As regards myself, I want of means signifies nothing to me
as an independent author, but it is disgraceful not to have the
wherewithal to support my children. Very well! I make up my mind to
bear the disgrace though it involve pains like hell. I will not yield
to the temptation to pay for false honour with my life. Prepared for
anything, I endure resolutely to the uttermost the most extraordinary
humiliations and observe how my expiatory pangs commence. Well-educated
youths of good family treat me one night to a serenade of caterwauling
in my corridor. I take it as something I have deserved without
disturbing myself. I try to hire a furnished lodging. The landlord
refuses with transparent excuses, and the refusal is flung in my
face. I pay visits and am not received. These are mere trifles. But
what really wounds me is the sublime irony shown in the unconscious
behaviour of my young friends when they try to encourage me by praising
my literary works, "so fruitful in liberating ideas, etc." And this to
me, who have just flung these so-called ideas on the dust-heap, so that
those who entertain these views are now my opponents! I am at war with
my former self, and while I oppose my friends and those once of the
same mind with me, I lay myself prostrate in the dust.
This is irony indeed; and as a dramatist I must admire the composition
of this tragi-comedy. In truth, the scenes are well-arranged.
Meanwhile people, taking into consideration the way in which old and
new views become entangled with each other in a period of transition,
do not reckon too rigidly with a veteran like myself. They do not
prick up their ears so solemnly at my arguments, but rather ask after
novelties in the world of ideas. I open for them the vestibule to the
temple of Isis, and say, by way of preliminary, that occultism is going
to be the vogue. Then they rage, and cut me down with the same weapons
which during twenty years I have been forging against superstition and
mysticism.
Since these debates always take place in garden-restaurants to the
accompaniment of wine-drinking, one avoids violent arguments, and I
confine myself to relating facts and real occurrences, assuming the
mask of an enlightened sceptic. It can certainly not be said that
people are opposed to everything new--quite the contrary; but they
become conservative as regards ideals which have been won by hard
fighting and which one is not inclined to desert. Still less are they
disposed to abjure a faith which has been purchased by a baptism of
blood. It falls to my share to strike out a path between naturalism
and supernaturalism, by expounding the latter as a development of the
former.
Public-domain text, read in full here on John Shaqi.
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