Legends: Autobiographical SketchesStrindberg, August
General
Legends: Autobiographical Sketches
Strindberg, August
Dramatists, Swedish -- 19th century -- Biography; Strindberg, August, 1849-1912
How unmeaningful this scene was, it did nevertheless leave me with me
an unsettling impression.
In the evening we stay in a village, to pass the night there. I have
just entered my room, on the first floor, and washed up a little, when
the usual sounds reach my ears; someone moves furniture around and I
hear dance-steps.
This time I don't leave it with a suspicion, but run in the company of
my comrades up the servants' stairs, to get certainty. But upstairs
nothing suspicious can be found, because above my room, under the
roofpanes, there's nobody living.
After a bad night with little sleep, we continue our journey and a
couple of hours later we are in the parental home of the Poet, who
almost appears as a prodigal son before religious parents, good and
honest man. The day is spent with walks in a beautiful country-side
and innocent conversations. The evening descends and brings an
indescribable peace in a very homely environment, in which the doctor
and I seem completely lost to ourselves, he even more than I, because
he's an atheist.
Late in the evening we retire to the room that was assigned to the
Doctor and me. When I'm searching for something to read, I lay hands
upon "Magic of the Middle Ages" by Viktor Rydberg. Again this writer,
whom I avoided, as long as he lived, and who keeps pursuing me after
his death!
I page through the book, and my eye is caught by the part about
Incubi and Succubi. The author doesn't believe in such things and
ridiculizes the thought of devils. But I cannot laugh; I'm offended by
what I'm reading, and I console myself with the thought that by now the
author may have altered his views.
In the mean time, reading about things magical and weird isn't very
suitable to induce any sleep, and I experience a certain nervous
restlessness.
Therefore, the proposal to come along to the sanitary rooms is taken as
a welcome distraction and a hygienic preliminary for the night, which I
fear.
Provided with a lantern, we walk over the inner court, where, under a
cloudy sky, the skeletons of frosted trees crash under the playful and
capricious whirlwind.
"I think you're afraid of your own shadows my good fellows," laughs the
doctor contemptuously. We give no answer, for the violence of the wind
nearly throws us down. When we reach the place which is near the stable
and under the hayloft, we are greeted by a noise over our heads, and,
strange to say, it is exactly the noise which has followed me for half
a year.
"Listen!" I said; "don't you hear something?"
"Yes, it is only the farm servants feeding the cattle."
Public-domain text, read in full here on John Shaqi.
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