Meanwhile let us leave the dead, and follow the living. The reader
is not asked to dry his tears after the mournful spectacle, and put
off his sackcloth, and don singing robes and smiles, for soon the
curtain may be raised from the same scene, to exhibit on the same
stage, another victim.
William Morden, when out of the sight of his wife, came in view of
the object of his pursuit. Unlike the aged, the hag avoided not the
many elevations of sharp rock, on her path. After passing them, for
a moment she would linger, and looking back, and howling, motion
him, with a wild plunge of her arm, to follow. The scenery became
more bleak and desolate, as if nothing in animal or vegetable life
could flourish near her abode. Not a sound was heard; her steps
were hurried, but silent. They were approaching the cave, which
was formed in the old channel of the brook, and which was supposed
to be the outlet of a subterraneous passage leading from the abbey
into a deep wood, which skirted and concealed the bank. Amidst the
trees strange lights seemed to move, and the witch, by their flash,
was enabled to expose her malignant and hellish countenance to the
gaze of Morden. She stood still and he advanced. From the folds of
the cloak in which she was wrapped, she drew her hand, and pointed
to a deep ravine, at a short distance from the cave. She muttered
some incantations, raised her eyes, as if to invisible agents in
the air, and exclaimed, “Slaves! ye know my power! Shew him--shew
him what a word, escaping from my lips, has done. Now, fool!” and
she grasped his hands for a moment, “gaze there--and tremble.”
Public-domain text, read in full here on John Shaqi.
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