The beautiful daughter of Count Julian was received with great favour by
the queen Exilona, and admitted among the noble damsels that attended
upon her person. Here she lived in honour and apparent security, and
surrounded by innocent delights. To gratify his queen, Don Roderick had
built for her rural recreation a palace without the walls of Toledo, on
the banks of the Tagus. It stood in the midst of a garden, adorned after
the luxurious style of the East. The air was perfumed by fragrant shrubs
and flowers; the groves resounded with the song of the nightingale; while
the gush of fountains and waterfalls, and the distant murmur of the
Tagus, made it a delightful retreat during the sultry days of summer.
The charm of perfect privacy also reigned throughout the place; for the
garden walls were high, and numerous guards kept watch without to protect
it from all intrusion.
In this delicious abode, more befitting an oriental voluptuary than a
Gothic king, Don Roderick was accustomed to while away much of that time
which should have been devoted to the toilsome cares of government. The
very security and peace which he had produced throughout his dominions,
by his precautions to abolish the means and habitudes of war, had
effected a disastrous change in his character. The hardy and heroic
qualities which had conducted him to the throne, were softened in the
lap of indulgence. Surrounded by the pleasures of an idle and effeminate
court, and beguiled by the example of his degenerate nobles, he gave way
to a fatal sensuality that had lain dormant in his nature during the
virtuous days of his adversity. The mere love of female beauty had first
enamoured him of Exilona; and the same passion, fostered by voluptuous
idleness, now betrayed him into the commission of an act fatal to
himself and Spain. The following is the story of his error, as gathered
from an old chronicle and legend.
In a remote part of the palace was an apartment devoted to the queen. It
was like an eastern harem, shut up from the foot of man, and where the
king himself but rarely entered. It had its own courts, and gardens, and
fountains, where the queen was wont to recreate herself with her damsels,
as she had been accustomed to do in the jealous privacy of her father’s
palace.
One sultry day, the king, instead of taking his siesta, or mid-day
slumber, repaired to this apartment to seek the society of the queen.
In passing through a small oratory, he was drawn by the sound of female
voices to a casement overhung with myrtles and jessamines. It looked into
an interior garden, or court, set out with orange trees, in the midst of
which was a marble fountain, surrounded by a grassy bank, enamelled with
flowers.
It was the high noontide of a summer day, when, in sultry Spain, the
landscape trembles to the eye, and all nature seeks repose, except the
grasshopper, that pipes his lulling note to the herdsman as he sleeps
beneath the shade.
Public-domain text, read in full here on John Shaqi.
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