1. The Coronation of the Virgin is a strictly devotional subject where she is attended, not merely by angels and patriarchs, but by canonized saints and martyrs, by fathers and doctors of the Church, heads of religious orders in monkish dresses, patrons and votaries. 2. It is a dramatic and historical subject when it is the last scene in a series of the Life of the Virgin; when the death-bed, or the tomb, or the wondering apostles, and weeping women, are figured on the earth below. Of the former treatment, I have spoken at length. It is that most commonly met with in early pictures and altar-pieces. With regard to the historical treatment, it is more rare as a separate subject, but there are some celebrated examples both in church decoration and in pictures. 1. In the apsis of the Duomo at Spoleto, we have, below, the death of the Virgin in the usual manner, that is, the Byzantine conception treated in the Italian style, with Christ receiving her soul, and over it the Coronation. The Virgin kneels in a white robe, spangled with golden flowers; and Christ, who is here represented rather as the Father than the Son, crowns her as queen of heaven. 2. The composition by Albert Durer, which concludes his fine series of wood-cuts, the "Life, of the Virgin" is very grand and singular. On the earth is the empty tomb; near it the bier; around stand the twelve apostles, all looking up amazed. There is no allusion to the girdle, which, indeed, is seldom found in northern art. Above, the Virgin floating in the air, with the rainbow under her feet, is crowned by the Father and the Son, while over her head hovers the holy Dove. 3. In the Vatican is the Coronation attributed to Raphael. That he designed the cartoon, and began the altar-piece, for the nuns of Monte-Luce near Perugia, seems beyond all doubt; but it is equally certain that the picture as we see it was painted almost entirely by his pupils Giulo Romano and Gian Francesco Penni. Here we have the tomb below, filled with flowers; and around it the twelve apostles; John and his brother James, in front, looking up; behind John, St. Peter; more in the background, St. Thomas holds the girdle. Above is the throne set in heaven, whereon the Virgin, mild and beautiful, sits beside her divine Son, and with joined hands, and veiled head, and eyes meekly cast down, bends to receive the golden coronet he is about to place on her brow. The Dove is omitted, but eight seraphim, with rainbow-tinted wings, hover above her head. On the right, a most graceful angel strikes the tambourine; on the left, another, equally graceful, sounds the viol; and, amidst a flood of light, hosts of celestial and rejoicing spirits fill up the background. Thus, in highest heaven, yet not out of sight of earth, in beatitude past utterance, in blessed fruition of all that faith creates and love desires, amid angel hymns and starry glories, ends the pictured life of Mary, MOTHER OF OUR LORD. THE END.