Legends of the North: The Guidman O' Inglismill and The Fairy BrideBuchan, Patrick
Philosophy
Legends of the North: The Guidman O' Inglismill and The Fairy Bride
Buchan, Patrick
Fairy poetry, Scottish
has, for unknown ages, and in all countries, been an article of the
popular creed. It is impossible to trace the origin of the belief. Some
imagine it has been conveyed to us by the tradition of the Lamiae, who
took away young children to slay them, and that this, mixed up with the
tales of Fauns and Gods of the woods, originated the notion of Fairies.
Others, that the belief was imported into Europe by the Crusaders from
the East, as Fairies somewhat resemble the Oriental Genii. It is
certainly true that the Arabs and Persians, whose religion and history
abound with similar tales, have assigned the Genii a peculiar country.
Again, Homer is supposed to have been among authors the originator of
the idea, as, in his third Iliad, he compares the Trojans to cranes when
they descend to fight against pigmies or fairies. Pliny, Aristotle, and
others give countenance to the belief in a race of fairies; Herodotus
described a nation of dwarfs living on the head waters of the Nile;
Strabo thought that certain men of Ethiopia were the original dwarfs;
while Pomponius Mela placed them far south. But nobody believed these
stories, which were taken to be either poetical licences or chapters in
romance. It is, however, strange that a race called Obongos, about
thirty-six inches high, are mentioned as existing near the Ashango
country by Paul de Chaillu (the discoverer of the gorilla), in his late
work "From the Country of the Dwarfs."
Whatever conjecture may be adopted, it is certain our Saxon ancestors,
long ere they left their German forests, believed in the existence of a
kind of diminutive demons, or middle species between men and spirits, to
whom they attributed performances far exceeding human art. Although we
are now a great literary people, yet, in this description of legendary
lore, we are far behind the Germans; for this is a peculiar style of
writing not exactly fitted for English cultivation, but in which the
Germans seem to possess the faculty of invention and contrivance,
together with originality of conception and power of execution, in such
an eminent degree as to leave the legendary writers of our own and other
countries at an immeasurable distance. In fact, we may search the whole
range of English, French, Spanish, and Italian literature, and there
will not be found one author "who dips so deep into the dark profound,"
or one who is possessed of that magic wand that can give the same
vitality to the beings of a shadowy world as the Germans, or one who,
can conjure up before the mind's eye, in such enchanting colours, the
magical representations of beings and forms of no mark or likelihood,
and with whose names even we were previously totally unacquainted.
Public-domain text, read in full here on John Shaqi.
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