In a note Gibbon adds, referring to the Roman and Oriental part of the legend: 'This wonderful expedition of Odin, which, by deducing the enmity of the Goths and Romans from so memorable a cause, might supply the noble groundwork of an epic poem, cannot safely be received as authentic history. According to the obvious sense of the Edda, and the interpretation of the most skilful critics, Asgard, instead of denoting a real city of the Asiatic Sarmatia, is the fictitious appellation of the mystic abode of the gods, the Olympus of Scandinavia.' Whether the emigration of the Barbaric race from the East be or be not historical, certainly the grounds upon which Gibbon bases his distrust of it are slender. He forgot that there might well have been both an earthly Asgard and also, according to the religion of the north, an Asgard in heaven, the destined abode of warriors faithful to Odin. Those who after his death changed their king into a god would, by necessity, have provided him with a celestial mansion; nor could they have assigned to it a name more acceptable to a race which blended so closely their religion with their patriotic love than that of their ancient capital, from which their great deliverer and prophet had led them forth in pilgrimage. Let us hope that Gibbon's remark as to the fitness of this grand legend for the purposes of epic poetry may yet prove prophecy. It has had one chance already: for we learn from the first book of _The Prelude_ that the theme was one of those on which the imagination of Wordsworth rested in youth, when he was seeking a fit subject for epic song.