"Often," he replied. "But I paddle up to the rock and touch it with the tip of my paddle-blade, and no matter which way I want to go the wind will blow free for me, if I wait a little while." "I suppose your people all do this?" I replied. "Yes, all of them," he answered. "They have done it for hundreds of years. You see the power in it is just as great now as at first, for the rock feeds every day on the unspoiled sea that the Sagalie Tyee made." The Tulameen Trail Did you ever "holiday" through the valley lands of the Dry Belt? Ever spend days and days in a swinging, swaying coach, behind a four-in-hand, when "Curly" or "Nicola Ned" held the ribbons, and tooled his knowing little leaders and wheelers down those horrifying mountain trails that wind like russet skeins of cobweb through the heights and depths of the Okanagan, the Nicola and the Similkameen countries? If so, you have listened to the call of the Skookum Chuck, as the Chinook speakers call the rollicking, tumbling streams that sing their way through the canyons with a music so dulcet, so insistent, that for many moons the echo of it lingers in your listening ears, and you will, through all the years to come, hear the voices of those mountain rivers calling you to return. But the most haunting of all the melodies is the warbling laughter of the Tulameen; its delicate note is far more powerful, more far-reaching than the throaty thunders of Niagara. That is why the Indians of the Nicola country still cling to their old-time story that the Tulameen carries the spirit of a young girl enmeshed in the wonders of its winding course; a spirit that can never free itself from the canyons, to rise above the heights and follow its fellows to the Happy Hunting Grounds, but which is contented to entwine its laughter, its sobs, its lonely whispers, its still lonelier call for companionship, with the wild music of the waters that sing forever beneath the western stars.