Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
Three Romance or Roman languages were spoken in that portion of
Spain which remained in Christian hands: in Catalonia and Aragon the
Provençal, Catalan, or Limousin; in Asturias, Old Castile, and Leon
the Castilian; and in Galicia the Gallego, whence the Portuguese had
its origin. The Catalan was almost entirely similar to the Provençal or
langue d'oc of Southern France, and the accession of Raymond Berenger,
Count of Barcelona, to the throne of Provence in 1092 united the
Catalonian and Provençal peoples under one common rule. Provençal,
the language of the Troubadours, was of French origin, and bears
evidence of its evolution from the Latin of Provincial Gaul. It
appears to have been brought into Catalonia by those Hispani who
had fled to Provence from Moorish rule, and who gradually drifted
southward again as the more northerly portions of Spain were freed from
Arab aggression. The political connexion of Catalonia with Provence
naturally brought about a similarity of custom as well as of speech,
and indeed we find the people of the Catalan coast and the province
of Aragon deeply imbued with the chivalry and gallantry of the more
northerly home of the Gai Saber.
Throughout the whole Provençal-Catalan [4] tract were held those
romantic courts of love in which the erotic subtleties of its men
and women of song were debated with a seriousness which shows that
the art of love had entered into competition with the forces of law
and religion, and had, indeed, become the real business of life with
the upper classes of the country. Out of this glorification of the
relations of the sexes arose the allied science of chivalry, no less
punctilious or extravagant in its code and spirit. This spirit of
Provençal chivalry gradually found its way into Castile, heightened
and quickened the imagination of its people, and prepared the Spanish
mind for the acceptance and appreciation of Romantic literature. But at
no time was Castilian imagination passively receptive. It subjected
every literary force which invaded it to such a powerful alchemy
of transmutation that in time all foreign elements lost their alien
character and emerged from the crucible of Spanish thought as things
almost wholly Castilian.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account