Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
When all was ready and the day of the wedding had at last arrived, a
brilliant assembly mounted their palfreys and proceeded to the church,
where the hermit Nasciano [45] celebrated Mass. When the ceremony
had duly been performed, Amadis asked of Lisuarte that ere the revels
began Oriana might be permitted to make test of the adventure of the
Arch of True Lovers, as the enchantment still held good so far as
ladies were concerned. To this the King gave his consent. As Oriana
approached the image raised its trumpet and blew such a strain of
sweetness as had never yet been heard in the island, and from the
mouth of the trumpet fell flowers and roses in such abundance that
they covered the ground. Without any hesitation Oriana passed on to
the adventure of the Forbidden Chamber. As she passed between the
pillars she felt hands invisible violently pushing her backward, and
three times did they thrust her past the pillars. But by reason of
her surpassing faithfulness and beauty she won, despite opposition,
to the enchanted portal, where the hand which had admitted Amadis was
thrust out, and she entered the chamber, while the voices of viewless
singers softly chanted the praises of her beauty and constancy.
Now all the assembled company who had beheld this last marvel entered
the chamber, and the marriage feast was spread therein. The long
endurance of Amadis and Oriana was over, and at length united to each
other and to their son Esplandian they looked forward to an existence
of such happiness as is only vouchsafed to mortals in the unclouded
pages of old romance.
So ends this brave old tale, in which we read of manners and modes
of thought so widely removed from those of our own time as almost
to appear like those of the people of another planet. The conduct of
knight and damsel is, perhaps, a little strained. No matter how absurd
a promise or fantastic the circumstances in which it was extracted,
it is still regarded as binding, and if we admire the romantic nature
of such a code we are tempted to smile at the seriousness with which
bearded knights and all-powerful monarchs give way before the quibble
of magicians whose lures and devices would be laughed at by a modern
schoolboy. Nevertheless, in perusing the story we experience a strong
conviction of its author's purity of soul and integrity of purpose.
Public-domain text, read in full here on John Shaqi.
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