Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
From the period of the defeat of Roderic, "last of the Visigoths,"
at the battle of Xerez de la Frontera in 711 until the fall of Granada
in 1492, Spain was indeed a land of battles. Almost immediately after
their first defeat by Arab arms the armies of the Visigoths were
pursued to the north-western limits of the Peninsula, where they,
found a rallying-place in the mountains of Biscay and Asturias. There,
like the Welsh after the Saxon invasion of Britain, they might have
become reconciled to the comparatively narrow area left to them,
but the circumstances of their virtual imprisonment served only to
unite them more closely in a common nationality and a common resolve
to win back their original possessions.
For many generations their efforts were confined to border forays
and guerrilla fighting, in which they were by no means uniformly
successful, for the fiery courage of the Saracens would permit of no
mere defensive policy, and nearly every victory of which the Castilians
could boast was counterbalanced by reverses and losses which their
inferior numbers could ill sustain. But by degrees their valorous
obstinacy was rewarded, and ere a century had passed they had regained
the greater part of Old Castile. The very name of this province,
meaning as it does 'the Land of Castles,' shows that even when regained
it was held only by fortifying its every hill-top with strongholds,
so that at last this castellated tract gave its name to the race
which held it so dearly. Before another twenty years had passed the
Castilian warriors had established a footing in New Castile, and from
this time onward seem to have been assured of ultimate success.
The fall of Toledo in 1085, after three centuries and a half of
Saracen occupation, marked a further epoch in the southern advance of
the Castilians, and by the taking of Saragossa in 1118 the tables were
turned upon the Arab invaders, who were now driven into a more confined
part of the country, to the south and south-west. This circumstance,
however, seems to have consolidated rather than crippled their
resisting powers, and they had yet to be reckoned with for nearly four
centuries ere, with the fall of Granada, Boabdil, or Abu-Abdallah, the
last of the Moorish kings, gave up its keys to Ferdinand of Castile,
looked his last upon the city, and crossed to Africa to fling away
his life in battle.
In these circumstances of constant strife and unrest the Romantic
literature of Spain was born. It is by no means remarkable that its
development coincided with the clash of arms. Trumpets re-echo in its
every close. As it expresses the spirit of a martial race, it was also
the nursling of necessity, for from the songs and fables of mighty
heroes the knights of Castile drew a new courage and experienced an
emulous exhilaration which nerved them on the day of battle. Well
might the wandering knight of Castile chant, as in the old ballad:
Public-domain text, read in full here on John Shaqi.
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