Ballads, Spanish; Legends -- Spain; Spanish literature -- History and criticism
Silvio de la Selva, son of Amadis of Greece and a certain Finistea,
is the hero of the twelfth and last book of the Amadis series. He
first came into prominence by the gallant display he made against
the Russians at the siege of Constantinople, and when the Tsar
of that turbulent folk showed a desire to plunge Europe into the
distractions of war once more he was not the last to unsheath his
falchion and assure the twelve dwarfish ambassadors of the Muscovite
that the confederacy of one hundred and sixty monarchs which he had
brought together had a small chance of returning to their respective
dominions. The resultant siege, with its sallies and combats à
outrance, we shall forbear to describe, only remarking en passant
that, in the mercantile phrase, its details are 'up to sample.' But
if the Greek princes bethought them to escape the consequences of
having incurred the enmity of the turbulent Russ merely by defeating
him in the field, they were destined to receive a rude awakening, for
by one fell stroke of necromantic art the entire galaxy was spirited
away. Once more the inhabitants of the romantic city on the Bosphorus
were plunged into the deepest consternation; but, nothing daunted at
the task which now confronted them, the knights and paladins of the
family--in themselves an army of no mean dimensions--set out in search
of their honoured relatives. But we are not yet liberated from the
tangle of plot and counter-plot excogitated by the expiring hackery of
Castile, and the dying candle of the great romance of Amadis does not
flare up and flicker out with the rescue of the heroes and heroines
who have swaggered through its pages in almost immortal sequel of
intrigue and battle. For, the princesses having been brought safely
back to Constantinople, it was discovered that during their absence
some of them had been blessed with little olive branches, many of whose
adventures are related, until the bewildered reader, lost in the maze
of their story, like Milton's Satan, looks round in desperation for
any outlet of escape, exclaiming with the fallen great one:
"Me miserable, which way shall I fly?"
But, like the doomed archangel, he must 'dree his weird,' and wade
through the adventures of Spheramond, son of Rogel of Greece, and
Amadis of Astre, son of Agesilan--or, better still, he may do as we
did, and, reverently closing the worm-eaten volume, restore it to the
library, where its embossed back is, perhaps, rather more appreciated
than its grotesque contents.
Public-domain text, read in full here on John Shaqi.
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