Leila at Home: a continuation of Leila in EnglandTytler, Ann Fraser
General
Leila at Home: a continuation of Leila in England
Tytler, Ann Fraser
Christian life -- Juvenile fiction; Country life -- Juvenile fiction; Cousins -- Juvenile fiction
Leila, from the moment of entering the house, had been working herself
up, and struggling against comfort; but comfort, in the shape of such a
Christmas party as this, who could resist? She quickly gave herself up
to all its happy influences, and when her papa led her into the
adjoining breakfast-room, which was small, and leading into a spacious
conservatory, she was in ecstasies.
“My birds, my birds,” she exclaimed, “my turtle-doves, my parrots, how
they will enjoy it. They will think this more beautiful than their green
parlour.”
All was sunshine to her again; it was a moment of exquisite happiness,
such happiness as is only to be felt in very early life, before the sad
memories of the past, “and the shadows of coming evils, have dimmed its
brightness.”
The young people returned home in high spirits; Leila forgetting every
care in the remembrance of the beautiful conservatory, and in the
anticipation of the enjoyment of her birds in taking possession of it;
and Matilda far too much excited to allow any of them to rest, even for
a moment.
“Come,” she said, “we will act a play now;” and flying into the passage,
she seized her papa’s hat, placed it on one side on her head, tied over
her dress a green linen pinafore of Alfred’s to imitate a blouse, and
returning into the room, “Now,” she said, “I will be Bill; you, Cousin
Leila, are to be talking very gravely with Selina, consulting her how
you are to order the dinner at Woodlands when I come up to you; and
you, Alfred, are to be the pit, and stamp with your feet, and call out
very loud.”
“But why,” Leila exclaimed, “should poor Alfred be in the pit? I don’t
like that, it puts me in mind of such melancholy things,--Joseph and his
wicked brothers, you know,--and he called out and they would not listen;
and the cruel thing we did ourselves; we put the poor goats into the
pit; but papa said that was a necessary evil.”
Matilda laughed: “You are so odd,” she said; “it is not that sort of a
pit at all. I never saw it myself, but Lydia told me about it,--it is a
place where all the gentlemen sit in rows to see the play, and they
stamp very loud with their feet, and call out encore; encore means--say
it again; don’t forget that, Alfred.”
Leila was quite relieved and satisfied, and the play proceeded; and so
admirably did Matilda imitate Bill’s voice and manner, and so complete
was the picture when she drew off the hat, and stood with a face of mute
dismay before them, that Selina and Leila were convulsed with laughter;
as to little Alfred, he stamped so loud, and called _encore_ so often,
that even Matilda, with all her love of amusement, was fairly exhausted.
Public-domain text, read in full here on John Shaqi.
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