Leila at Home: a continuation of Leila in EnglandTytler, Ann Fraser
General
Leila at Home: a continuation of Leila in England
Tytler, Ann Fraser
Christian life -- Juvenile fiction; Country life -- Juvenile fiction; Cousins -- Juvenile fiction
The day had now arrived when Mrs. Roberts was expected; the young people
were all assembled in the school-room busy with their different tasks;
Selina and Leila were seated silently at their writing-desks,
translating English into French; Alfred quietly in a corner, drawing
birds and animals on a slate, his favourite employment. Matilda alone
was restless and unquiet; she kept constantly running from the table to
the window, holding a book of French dialogues in her hand, and looking
out on the approach, while she rhymed the same phrase over and over
again: “Il faudra faire comme nous pourrons, il faudra faire comme nous
pourrons, il faudra faire comme nous pourrons; now surely this is
knocked into my brains.”
Selina shook her head.
“Well, Selina,” she continued, “you need not shake your head; il faudra
faire comme nous pourrons, and I am sure I am doing the best I can.”
“Are you?” Selina quickly said, and went on with her writing.
“How provoking you are, Selina; there do you two sit as quietly as if
nothing were going to happen, and as if Mrs. Roberts might not arrive
every moment.”
“But will running to the window and shaking the whole room make her come
any sooner?” Selina inquired.
“To be sure it will, that is, I shall see her sooner. Alfred, do run
down and listen if you hear a carriage,” and she snatched the slate from
his hand; “there’s a good boy, run down and do like Fine-ear, you know;
stoop down and put your ear to the ground, there’s a man,” and she
pushed him out at the door.
Alfred returned again almost immediately. “I could not play at fine-ear,
Matilda,” he said, “for I saw the carriage at a little distance the
moment I went out; listen, it is stopping at the door now.”
All the three young girls jumped up and ran instantly to the window. The
steps of the carriage were let down, a ladylike person, rather slender,
and rather above the middle height, stepped out, her bonnet entirely
concealing her face. Mr. Stanley came forward, he seemed to welcome her
kindly; they entered the house together. The next moment they heard the
drawing-room door close. Matilda glided from the room.
Selina looked anxiously after her; in a few minutes she returned.
“I have seen her trunks,” she said; “I don’t like them.”
Selina looked distressed.
“Well, Selina, why do you put on that sorrowful face? I did not say I
did not like her. Come, cheer up, I will do the best I can.”
The drawing-room bell rang; in a few minutes Amy tapped at the
school-room door to say the young ladies were wanted in the
drawing-room. They all went down.
Public-domain text, read in full here on John Shaqi.
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