A thousand voices answered him. "The banner is in the hands of the
infidel--all is lost!" They swept by him, and stopped not till they
gained the gates.
But still a small and devoted remnant of the Moorish cavaliers remained
to shed a last glory over defeat itself. With Muza, their soul and
centre, they fought every atom of ground: it was, as the chronicler
expresses it, as if they grasped the soil with their arms. Twice they
charged into the midst of the foe: the slaughter they made doubled their
own number; but, gathering on and closing in, squadron upon squadron,
came the whole Christian army--they were encompassed, wearied out, beaten
back, as by an ocean. Like wild beasts, driven, at length, to their
lair, they retreated with their faces to the foe; and when Muza came, the
last--his cimiter shivered to the hilt,--he had scarcely breath to
command the gates to be closed and the portcullis lowered, ere he fell
from his charger in a sudden and deadly swoon, caused less by his
exhaustion than his agony and shame. So ended the last battle fought for
the Monarchy of Granada!
CHAPTER II.
THE NOVICE.
It was in one of the cells of a convent renowned for the piety of its
inmates and the wholesome austerity of its laws that a young novice sat
alone. The narrow casement was placed so high in the cold grey wall as
to forbid to the tenant of the cell the solace of sad or the distraction
of pious thoughts, which a view of the world without might afford.
Lovely, indeed, was the landscape that spread below; but it was barred
from those youthful and melancholy eyes: for Nature might tempt to a
thousand thoughts, not of a tenor calculated to reconcile the heart to an
eternal sacrifice of the sweet human ties. But a faint and partial gleam
of sunshine broke through the aperture and made yet more cheerless the
dreary aspect and gloomy appurtenances of the cell. And the young novice
seemed to carry on within herself that struggle of emotions without which
there is no victory in the resolves of virtue: sometimes she wept
bitterly, but with a low, subdued sorrow, which spoke rather of
despondency than passion; sometimes she raised her head from her breast,
and smiled as she looked upward, or as her eyes rested on the crucifix
and the death's head that were placed on the rude table by the pallet on
which she sat. They were emblems of death here, and life hereafter,
which, perhaps, afforded to her the sources of a twofold consolation.
She was yet musing, when a slight tap at the door was heard, and the
abbess of the convent appeared.
Public-domain text, read in full here on John Shaqi.
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