When the Spaniard saw the redoubted Moor approach, he halted abruptly
for a moment, and then, wheeling his horse around, took a wider circuit,
to give additional impetus to his charge. The Moor, aware of his
purpose, halted also, and awaited the moment of his rush; when once
more he darted forward, and the combatants met with a skill which called
forth a cry of involuntary applause from the Christians themselves.
Muza received on the small surface of his shield the ponderous spear
of Alonzo, while his own light lance struck upon the helmet of the
Christian, and by the exactness of the aim rather than the weight of the
blow, made Alonzo reel in his saddle.
The lances were thrown aside--the long broad falchion of the Christian,
the curved Damascus cimiter of the Moor, gleamed in the air. They reined
their chargers opposite each other in grave and deliberate silence.
“Yield thee, sir knight!” at length cried the fierce Moor, “for the
motto on my cimiter declares that if thou meetest its stroke, thy
days are numbered. The sword of the believer is the Key of Heaven and
Hell.”--[Such, says Sale, is the poetical phrase of the Mohammedan
divines.]
“False Paynim,” answered Alonzo, in a voice that rung hollow through his
helmet, “a Christian knight is the equal of a Moorish army!”
Muza made no reply, but left the rein of his charger on his neck; the
noble animal understood the signal, and with a short impatient cry
rushed forward at full speed. Alonzo met the charge with his falchion
upraised, and his whole body covered with his shield; the Moor bent--the
Spaniards raised a shout--Muza seemed stricken from his horse. But the
blow of the heavy falchion had not touched him: and, seemingly without
an effort, the curved blade of his own cimiter, gliding by that part
of his antagonist’s throat where the helmet joins the cuirass, passed
unresistingly and silently through the joints; and Alonzo fell at once,
and without a groan, from his horse--his armour, to all appearance,
unpenetrated, while the blood oozed slow and gurgling from a mortal
wound.
Public-domain text, read in full here on John Shaqi.
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