From your height on the Dublin hills you can look over two-thirds of
Leinster. Southward, the mountains hide Wicklow and Wexford, Carlow
and Kilkenny. But over all that vast plain, stretching in champaign
north and west, your eye can travel till it reaches far into Ulster
on the north, and westward there is nothing to stop it between you
and the Shannon. This is a country of many rivers. The Liffey flows
out below your feet. Five-and-twenty miles northward the Boyne has its
estuary. All the rest of the plain is drained southward--part into the
Shannon, and so ultimately westward, but most into the great systems
of the Nore and Barrow; and ill they drain it. For twenty miles inland
is choice soil, but beyond that you reach the central bog of Allen,
where long expanses of brown heather or of land only half-reclaimed
make up a landscape of melancholy charm. Such a scene as Mr. Williams
has drawn somewhere in the Queen's County is intensely typical of this
midland country. Even where the furze blossom makes a flicker of gay
colour, the whole effect is dismal, and its loneliness is constantly
accentuated by what he has suggested, the flight of wild marsh-haunting
birds: the trees are apt to be stunted and weather-twisted by winds off
the "stormy Slieve Bloom", whose veiled purple shapes are shown against
the western sky in his picture.
Yet the folk of this outer pale are "kindly Irish of the Irish"--none
kindlier; and I have often thought the character of Ireland could not
be better expressed than in a chance phrase I heard in the talk of a
girl from that low-lying region. "My father used always to tell me:
'Put plenty of potatoes in the pot, Maria. You couldn't tell who would
be stepping in to us across the bog'."
Leaving out of sight, because I must, the famous city of Kildare with
its Cathedral (half-church, half-fortress); the broad lakes of West
Meath, endeared by hope to patient anglers; the city of Kilkenny,
where something of Ireland's prosperity remains unbroken, where the
Butlers' Castle stands undestroyed, where are churches that were never
ruined (almost a prodigy in Ireland); saying nothing of Lissoy, where
Goldsmith lived in the village that his pen immortalized; briefly,
dismissing about two-thirds of Leinster with a wave of the hand, let me
come back to Dublin and its environment.
II
Public-domain text, read in full here on John Shaqi.
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