Leonardo da Vinci: A Psychosexual Study of an Infantile Reminiscence — John Shaqi
Leonardo da Vinci: A Psychosexual Study of an Infantile ReminiscenceFreud, Sigmund
Science
Leonardo da Vinci: A Psychosexual Study of an Infantile Reminiscence
Freud, Sigmund
Freud, Sigmund, 1856-1939 -- Views on art; Leonardo, da Vinci, 1452-1519; Painters -- Italy -- Biography; Psychoanalysis -- Case studies
We have here an infantile memory and to be sure of the strangest sort.
It is strange on account of its content and account of the time of life
in which it was fixed. That a person could retain a memory of the
nursing period is perhaps not impossible, but it can in no way be taken
as certain. But what this memory of Leonardo states, namely, that a
vulture opened the child's mouth with its tail, sounds so improbable, so
fabulous, that another conception which puts an end to the two
difficulties with one stroke appeals much more to our judgment. The
scene of the vulture is not a memory of Leonardo, but a phantasy which
he formed later, and transferred into his childhood. The childhood
memories of persons often have no different origin, as a matter of fact,
they are not fixated from an experience like the conscious memories from
the time of maturity and then repeated, but they are not produced until
a later period when childhood is already past, they are then changed and
disguised and put in the service of later tendencies, so that in general
they cannot be strictly differentiated from phantasies. Their nature
will perhaps be best understood by recalling the manner in which history
writing originated among ancient nations. As long as the nation was
small and weak it gave no thought to the writing of its history, it
tilled the soil of its land, defended its existence against its
neighbors by seeking to wrest land from them and endeavored to become
rich. It was a heroic but unhistoric time. Then came another age, a
period of self-realization in which one felt rich and powerful, and it
was then that one experienced the need to discover whence one originated
and how one developed. The history-writing which then continues to
register the present events throws also its backward glance to the past,
it gathers traditions and legends, it interprets what survived from
olden times into customs and uses, and thus creates a history of past
ages. It is quite natural that this history of the past ages is more the
expressions of opinions and desires of the present than a faithful
picture of the past, for many a thing escaped the people's memory, other
things became distorted, some trace of the past was misunderstood and
interpreted in the sense of the present; and besides one does not write
history through motives of objective curiosity, but because one desires
to impress his contemporaries, to stimulate and extol them, or to hold
the mirror before them. The conscious memory of a person concerning the
experiences of his maturity may now be fully compared to that of history
writing, and his infantile memories, as far as their origin and
reliability are concerned will actually correspond to the history of the
primitive period of a people which was compiled later with purposive
intent.
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