Leonardo da Vinci: A Psychosexual Study of an Infantile ReminiscenceFreud, Sigmund
Science
Leonardo da Vinci: A Psychosexual Study of an Infantile Reminiscence
Freud, Sigmund
Freud, Sigmund, 1856-1939 -- Views on art; Leonardo, da Vinci, 1452-1519; Painters -- Italy -- Biography; Psychoanalysis -- Case studies
To be sure the father also assumed importance in Leonardo's psychosexual
development, and what is more, it was not only in a negative sense,
through his absence during the boy's first childhood years, but also
directly through his presence in his later childhood. He who as a child
desires his mother, cannot help wishing to put himself in his father's
place, to identify himself with him in his phantasy and later make it
his life's task to triumph over him. As Leonardo was not yet five years
old when he was received into his paternal home, the young step-mother,
Albiera, certainly must have taken the place of his mother in his
feeling, and this brought him into that relation of rivalry to his
father which may be designated as normal. As is known, the preference
for homosexuality did not manifest itself till near the years of
puberty. When Leonardo accepted this preference the identification with
the father lost all significance for his sexual life, but continued in
other spheres of non-erotic activity. We hear that he was fond of luxury
and pretty raiments, and kept servants and horses, although according to
Vasari's words "he hardly possessed anything and worked little." We
shall not hold his artistic taste entirely responsible for all these
special likings; we recognize in them also the compulsion to copy his
father and to excel him. He played the part of the great gentleman to
the poor peasant girl, hence the son retained the incentive that he also
play the great gentleman, he had the strong feeling "to out-herod
Herod," and to show his father exactly how the real high rank looks.
Whoever works as an artist certainly feels as a father to his works. The
identification with his father had a fateful result in Leonardo's works
of art. He created them and then troubled himself no longer about them,
just as his father did not trouble himself about him. The later
worriments of his father could change nothing in this compulsion, as the
latter originated from the impressions of the first years of childhood,
and the repression having remained unconscious was incorrigible through
later experiences.
Public-domain text, read in full here on John Shaqi.
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