Married women -- Fiction; Staffordshire (England) -- Fiction
'Because if you do,' she proceeded, 'I dare say Uncle Meshach----'
'Look here, my girl,' he interrupted in turn, 'I've had exactly as much
of Uncle Meshach as I can stand. I know all about Uncle Meshach, what I
wanted to know was whether you cared to sell the house.' And then he
added, after hesitating, and with a false graciousness, 'To oblige me.'
There was a marked pause.
'I really shouldn't like to sell the house, John,' she answered quietly.
'It was aunt's, and----'
'Enough said! enough said!' he cried. 'That finishes it. I suppose you
don't mind my having asked you!'
He walked out of the room in a rage.
Tears came into her eyes, the tears of a wounded and proud heart. Was it
conceivable that he expected her to be willing to sell her house?... He
must indeed be in serious straits. She would consult Uncle Meshach.
The front door banged. And then Rose entered the room.
Leonora drove back the tears.
'Your father has been suggesting that we sell this house, and go and
live at Sneyd,' she said to the girl in a trembling voice. 'Aren't you
surprised?' She seldom talked about John to her daughters, but at that
moment a desire for sympathy overwhelmed her.
'I should never be surprised at anything where father was concerned,'
said Rose coldly, with a slight hint of aloofness and of mental
superiority. 'Not at anything.'
Leonora got up, and, leaving the room, went into the garden through the
side door opposite the stable. She could hear Millicent practising the
Jewel Song from Gounod's _Faust_. As she passed down the sombre garden
the sound of the piano and of Milly's voice in the brilliant ecstatic
phrases of the song grew fainter. She shook violently, like a child who
is recovering from a fit of sobs, and without thinking she fastened her
coat. 'What a shame it is that he should want to sell my house! What a
shame!' she murmured, full of an aggrieved resentment. At the same time
she was surprised to find herself so suddenly and so deeply disturbed.
* * * * *
Public-domain text, read in full here on John Shaqi.
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