Married women -- Fiction; Staffordshire (England) -- Fiction
'A fine severe garden!' he remarked enthusiastically outside, after he
had descanted to Bran on Bran's amazing perfections, and the dog had
greeted his mistress. 'A fine severe garden!' he repeated.
'Yes,' she said, lifting her skirt to cross the lawn. 'I know what you
mean. I wouldn't have it altered for anything, but many people think
it's too formal. My husband does.'
'Why! It's just English. And that old wall! and the yew trees! I tell
you----'
She expanded once more to his appreciation, which she took to herself;
for none but she, and the gardener who was also the groom, and worked
under her, was responsible for the garden. But as she displayed the
African marigolds and the late roses and the hardy outdoor
chrysanthemums, and as she patted Bran, who dawdled under her hand, she
looked furtively about for John. She hoped he might be at the stables,
and when in their tour of the grounds they reached the stables and he
was not there, she hoped they would find him in the drawing-room on
their return. Her suspicion reasserted itself, and it was strengthened,
against her reason, by the fact that Arthur Twemlow made no comment on
John's invisibility. In the dusk of the spruce stable, where an
enamelled name-plate over the manger of a loose box announced that
'Prince' was its pampered tenant, she opened the cornbin, and, entering
the loose-box, offered the cob a handful of crushed oats. And when she
stood by the cob, Twemlow looking through the grill of the door at this
picture which suggested a beast-tamer in the cage, she was aware of her
beauty and the beauty of the animal as he curved his neck to her
jewelled hand, and of the ravishing effect of an elegant woman seen in a
stable. She smiled proudly and yet sadly at Twemlow, who was pulling his
heavy moustache. Then they could hear an ungoverned burst of Milly's
light laughter from the drawing-room, and presently Milly resumed her
interrupted song. Opposite the outer door of the stable was the window
of the kitchen, whence issued, like an undertone to the song, the
subdued rattle of cups and saucers; and the glow of the kitchen fire
could be distinguished. And over all this complex domestic organism,
attractive and efficient in its every manifestation, and vigorously
alive now in the smooth calm of the English Sunday, she was queen; and
hers was the brain that ruled it while feigning an aloof quiescence. 'He
is a romantic man; he understands all that,' she felt with the certainty
of intuition. Aloud she said she must fasten up the dog.
When they returned to the drawing-room there was no sign of John.
'Hasn't your father come in?' she asked Ethel in a low voice; Milly was
still singing.
'No, mother, I thought he was with you in the garden.' The girl seemed
to respond to Leonora's inquietude.
Milly finished her song, and Twemlow, who had stationed himself behind
her to look at the music, nodded an austere approval.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account