Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
Facts may seem trite, which nevertheless must be said in explanation
of the character he depicts by any one who writes the history of
another. We lose the key of a cabinet, nearly new, perhaps, and we
send to a vender of old iron to see if we cannot find one to fit it.
We select one and then another for trial, and find at length a key
which seems to conform to the shape of the keyhole. Would any one
object to its trial because it is old and rust-worn? Well, it is old;
it may have served in a hundred locks before, for aught we know; but
it fits, and opens, and shuts this lock, and that is all we have to do
with it.
It has often been said, and was frequently insisted upon by Goethe,
that each human being is a different being at each period of his age
from that which he was at an anterior period. The very substance of
the body, say the physiologists, is entirely changed in every seven
years. What of the mind? Do cares, and sorrows, and experience, and
joys, and hopes, and fruitions, effect no change in it? God forbid! If
we believe the mind immortal, and not subject, like the body, to death
and resurrection, still greater must be the changes; for its state
must be progressive towards evil or towards good. Expansion certainly
comes with knowledge; every day has its lesson, its reproof, its
encouragement; and the very development or decay of the mortal frame
affects the tenant within--hardens, strengthens, elevates, instructs;
or, entenders, enfeebles, depresses, depraves. Suffice it here to say,
that perhaps no one ever in life experienced greater changes of
thought, feeling, character, than Leonora d'Orco, as the winged
moments flew over her head. And yet the indestructible essence was the
same; every essential element remained; it was but the combinations
that were modified. A few years later, had you asked her if she had
ever felt such sensations, or thought such thoughts as she felt and
thought now, she would instantly have said "No;" but one moment's
lifting of the veil which hides the pictures of the past would have
shown her that she had felt, had thought such things; one moment's
scrutiny of her own heart would have shown her that, in another form,
she felt them, thought them still.
Public-domain text, read in full here on John Shaqi.
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