Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
"This dagger is grooved for poison, Conte," he said, addressing his
host in the same quiet, indifferent tone he generally used; "better
look to the young gentleman's wound."
"I thank you, sir," replied Lorenzo; "but it came from his sword, not
his poniard. I will retire and let my men stanch the bleeding."
"Better, at all events, apply some antidote," said Ramiro; "a little
parsley boiled will extract most poisons, unless they remain too long.
It were well to attend to it speedily."
"Well, I will go," replied Lorenzo; "but, I call Heaven to witness, I
have no blame in this man's death. He attacked me unprovoked, and I
killed him in self-defence."
"We must take measures to discover how this came about," said the
count, thoughtfully. "Buondoni cannot have come here unattended."
"Better perchance let it rest," said Ramiro d'Orco, "there may be
motives at the bottom of the whole affair that were not well brought
to the surface. I have gathered little from tonight's discourse of
this youth's history; but he is a Visconti, and that alone may make
him powerful enemies, who had better still be his enemies than yours,
father."
"I fear them not," replied the old nobleman; "let diligent inquiry be
made around and on the road to Pavia for any stranger arrived this
night. Now, Ramiro, come with me for awhile, and we will talk farther.
Lights, boys, on there in my cabinet. You are in your night gear,
signor; but I will not keep you long ere I let you to your slumbers
again."
"They will be my first slumbers," answered Ramiro. "I had not closen
an eye when I heard talking, and singing, and then clashing of
swords--no unusual combinations in our fair land, Signor Rovera."
As he spoke he followed the old count into a small, beautiful room,
every panel of which held a picture, of great price then, and
invaluable now as specimens of the first revival of art. When they
were seated and the doors closed, the elder man fell into a fit of
thought, though he had invited the conference, and Ramiro d'Orco spoke
first.
"Who is this young Visconti?" he asked; "and how comes the King of
France to give him cousinship?"
"Why, he is the son of that Carlo Visconti who stabbed Galeazzo
Sforza," answered the count, "and was killed in the church. The boy
was carried by some of his relations to his godfather, Lorenzo de
Medici, and educated by him."
"Then 'tis Ludovic's doing," said Ramiro; "he has sent this man to
make away with him, though that was a bad return for his father's kind
act in lifting him to power. By my faith he should have raised and
honoured the boy. That good stroke of a dagger was worth three
quarters of a dukedom to the good prince. But I suppose, from all I
learn, that the youth is now trying adventure as a soldier."
Public-domain text, read in full here on John Shaqi.
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