Les beaux messieurs de Bois-Doré Vol. 1 (of 2)Sand, George
History
Les beaux messieurs de Bois-Doré Vol. 1 (of 2)
Sand, George
France -- History -- Louis XIII, 1610-1643 -- Fiction
Bois-Doré hinted that those specimens of the cabinet-maker's art were
stuffed with treasures of that sort; some evil-minded scoffers declared
that they were empty.
Despite all these vagaries of his magnificence, Bois-Doré had
transformed his little manor-house into a luxurious nest, warm and
cheery, which had cost him more than it was worth, but which it would be
most delightful to find intact in one of the little provincial
châteaux, which to-day are neglected, dilapidated, falling in ruins, or
changed into farmhouses.
It would have taken three days to inspect all the curious trifles which
are described to-day by the new name of _bibelots_, but which would be
more appropriately called _bribelots_.[9] Our inquisitive and
investigating generation is entitled, however, to give whatever name it
chooses to a variety of exploration which is peculiar to it, and we
gladly accept the verb _bibeloter_, although it is only used by the
initiated.
However, we will not _bibeloter_--catalogue--here the interesting
collection of curios at Briantes; it would take too long; we will say
simply that Monsieur d'Alvimar might well have fancied himself in the
shop of a second-hand dealer, so striking was the contrast between the
profusion of gewgaws heaped upon sideboards and mantels, or piled in
pyramids on the tables, and the chilling bareness of the Spanish palaces
in which he had passed his youth.
Amid all that glass and porcelain, flagons, candlesticks, chandeliers,
punch-bowls, urns, to say nothing of the ewers, cups and small dishes of
gold, silver, amber or agate; the chairs of all shapes and sizes,
nailed, fringed and covered with Chinese silk; the benches and cupboards
of carved oak, with great clasps of openwork iron over a background of
scarlet cloth; the curtains of satin worked with gold flowers, large and
small, and embellished with gold-fringed lambrequins, etc., etc., there
were certainly some beautiful objects of art and charming products of
industry, mingled with much worthless trash and much inappropriate
elegance. In a word the general effect was brilliant and agreeable,
although there was altogether too much of it, and one hardly dared move
for fear of breaking something.
When D'Alvimar had expressed his surprise at finding that palace of the
fairy Babiole in the modest valleys of Berry, and Bois-Doré had
obligingly exhibited the principal treasures of his salon, Bellinde the
housekeeper, who went in and out issuing orders in a clear and resonant
voice, announced to her master in an undertone that the supper was
ready, while the page threw the doors wide open, shouting the usual
formula, and the clock of the château struck seven with a burst of
music in the Flemish style.
Public-domain text, read in full here on John Shaqi.
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