Les Bijoux Indiscrets, or, The Indiscreet ToysDiderot, Denis
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Les Bijoux Indiscrets, or, The Indiscreet Toys
Diderot, Denis
Erotic fiction; Louis XV, King of France, 1710-1774 -- Fiction
_Of the opera at Banza._
_Sixth trial of the Ring._
Of all the public diversions of Banza, none supported itself but the
opera. Utmiutsol and Utremifasolasiututut, two celebrated musicians,
one of whom was growing old, and the other was but just new-fledged,
alternately occupied the lyric scene. Each of these two original
authors had his partisans. The ignorant and the grey-bearded dotards
stood up for Utmiutsol; the smart young fellows and the Virtuosi were
for Utremifasolasiututut: and the people of taste, as well young as
old, held them both in high esteem. Utremifasolasiututut, said the
latter, is excellent when he is good, but he sleeps at times; and,
pray, to whom does not that happen? Utmiutsol holds up better, and is
more uniform. He is full of beauties; yet he has not one, of which
there are not examples to be found, and even more striking, in his
rival; in whom there are strokes to be observed, which are entirely
his own, and are not to be met with any where but in his works. Old
Utmiutsol is simple, natural, smooth, sometimes too smooth, and that is
his fault. Young Utremifasolasiututut is singular, brilliant, composed,
learned, sometimes too learned: but perhaps that is his hearer's
fault. The one has but one opening, beautiful indeed, but repeated at
the head of all his pieces. The other has made as many openings as
pieces, and they all pass for masterpieces. Nature guided Utmiutsol
in the ways of melody; study and experience discovered the sources
of harmony to Utremifasolasiututut. Who ever knew how to declaim, and
who will ever speak a part like the old man? Who will compose light
catches, voluptuous airs, and symphonies in character like the young
one? Utmiutsol is the only person who understood dialogue. Before
Utremifasolasiututut no body distinguished the delicate touches, which
separate the tender from the voluptuous, the voluptuous from the
passionate, the passionate from the lascivious. Nay some partisans of
the latter pretend, that if Utmiutsol's dialogue is superior to his,
this is not so much owing to the inequality of their talents, as to the
difference of the poets, whom they made use of. "Read, read," cried
they, "the scene of Dardanus, and you will be convinced, that if we
give good words to Utremifasolasiututut, Utmiutsol's charming scenes
will be revived." However that be, in my time, the whole town flock'd
to the tragedies of the latter, and people stifled one another at the
interludes of the former.
Public-domain text, read in full here on John Shaqi.
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