In 1815, as we think we have already said, he reached his seventy-fifth
birthday, but he did not appear to be more than sixty. He was not tall;
he was rather plump; and, in order to combat this tendency, he was fond
of taking long strolls on foot; his step was firm, and his form was but
slightly bent, a detail from which we do not pretend to draw any
conclusion. Gregory XVI., at the age of eighty, held himself erect and
smiling, which did not prevent him from being a bad bishop. Monseigneur
Welcome had what the people term a “fine head,” but so amiable was he
that they forgot that it was fine.
When he conversed with that infantile gayety which was one of his
charms, and of which we have already spoken, people felt at their ease
with him, and joy seemed to radiate from his whole person. His fresh
and ruddy complexion, his very white teeth, all of which he had
preserved, and which were displayed by his smile, gave him that open
and easy air which cause the remark to be made of a man, “He’s a good
fellow”; and of an old man, “He is a fine man.” That, it will be
recalled, was the effect which he produced upon Napoleon. On the first
encounter, and to one who saw him for the first time, he was nothing,
in fact, but a fine man. But if one remained near him for a few hours,
and beheld him in the least degree pensive, the fine man became
gradually transfigured, and took on some imposing quality, I know not
what; his broad and serious brow, rendered august by his white locks,
became august also by virtue of meditation; majesty radiated from his
goodness, though his goodness ceased not to be radiant; one experienced
something of the emotion which one would feel on beholding a smiling
angel slowly unfold his wings, without ceasing to smile. Respect, an
unutterable respect, penetrated you by degrees and mounted to your
heart, and one felt that one had before him one of those strong,
thoroughly tried, and indulgent souls where thought is so grand that it
can no longer be anything but gentle.
Public-domain text, read in full here on John Shaqi.
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