He had at his window an antique curtain of heavy woollen stuff, which
had grown so old that Madame Magloire, in order to avoid the expense
of a new one, was obliged to make a large seam in the very middle of
it. The seam formed a cross, and the Bishop often drew attention to
it. "How pleasant that is," he would say. All the rooms in the house,
ground floor and first floor, were white-washed, which is a barrack and
hospital fashion. Still, some years later, Madame Magloire discovered,
as we shall see further on, paintings under the white-washed paper, in
Mlle. Baptistine's bed-room. The rooms were paved with red bricks which
were washed every week, and there were straw mats in front of all the
beds. This house, moreover, managed by two females, was exquisitely
clean from top to bottom. This was the only luxury the Bishop allowed
himself, for, as he said, "It takes nothing from the poor." We must
allow, however, that of the old property there still remained six
silver spoons and forks and a soup-ladle, which Madame Magloire daily
saw with delight shining splendidly on the coarse white table-cloth.
And as we are here depicting the Bishop of D---- as he was, we must
add that he had said, more than once, "I do not think I could give up
eating with silver." To this plate must be added two heavy candlesticks
of massive silver, which the Bishop inherited from a great-aunt. These
branched candlesticks each held two wax candles, and usually figured on
the Bishop's chimney. When he had any one to dinner, Madame Magloire
lit the candles and placed the two candlesticks on the table. There was
in the Bishop's bed-room, at the head of his bed, a small cupboard in
the wall, in which Madame Magloire each night placed the plate and the
large ladle. I am bound to add that the key was never taken out.
The garden, spoiled to some extent by the ugly buildings to which we
have referred, was composed of four walks, radiating round a cesspool;
another walk ran all round the garden close to the surrounding white
wall. Between these walks were four box-bordered squares. In three of
them Madame Magloire grew vegetables; in the fourth the Bishop had
placed flowers; here and there were a few fruit-trees. Once Madame
Magloire had said, with a sort of gentle malice, "Monseigneur, although
you turn everything to use, here is an unemployed plot. It would be
better to have lettuces there than bouquets." "Madame Magloire," the
Bishop answered, "you are mistaken; the beautiful is as useful as the
useful." He added, after a moment's silence, "More so, perhaps."
Public-domain text, read in full here on John Shaqi.
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