its gable end to the public thoroughfare, and hence came its apparent
smallness; nearly the whole house was concealed, and only a door and a
window could be perceived.
This house was only one story high. On examining it, the first fact
that struck you was that the door could never have been other than
that of a low lodging-house, while the window, had it been carved in
stone instead of made of stucco, might have belonged to a mansion.
The door was nothing but a collection of worm-eaten planks, clumsily
held together by roughly-planed cross-beams. It opened immediately
on a steep staircase, muddy, dirty, and dusty, of the same width
as itself, which could be seen from the street mounting steep as a
ladder, and disappearing in the gloom between two walls. The top of
the clumsy opening in which the door stood was masked by a thin deal
plank, in which a triangular hole had been cut. On the inside of the
door a brush dipped in ink had clumsily traced No. 52, while over
the skylight the same brush had painted No. 50; so people hesitated.
Dust-colored rags hung like a drapery over the triangular skylight.
The window was wide, tolerably lofty, filled with large panes of
glass, and protected by Venetian shutters; but these panes had various
wounds, at once concealed and betrayed by an ingenious bandage of
paper, and the Venetian shutters, broken and hanging from their hinges,
threatened passers-by more than they protected the inhabitants. The
horizontal screen-boards were wanting here and there, and these places
had been filled up with boards nailed on perpendicularly; so that
the affair began by being a Venetian screen, and ended by being a
shutter. This door, which had an unclean look, and this window, which
looked honest, though fallen in the world, produced the effect of two
beggars walking side by side with two different faces under the same
rags, the one having always been a mendicant, while the other had once
been a gentleman. The staircase led to a very large building, which
resembled a shed which had been converted into a house. This building
had, as its intestinal tube, a long passage, upon which opened, right
and left, compartments of various dimensions, habitable at a pinch,
and more like booths than cells. These rooms looked out on the dreary
landscape around. The whole was dark, wearisome, dull, melancholy, and
sepulchral, and traversed, according as the cracks were in the roof
or the door, by cold sunbeams or sharp draughts. An interesting and
picturesque peculiarity of houses of this description is the enormous
size of the cobwebs. To the left of the door, on the boulevard, and at
about six feet from the ground, a bricked-up window formed a square
hole filled by passing lads with stones. A portion of this building has
been recently demolished, but what still remains will allow an idea to
be formed of what it was. The whole affair is not more than a century
old; one hundred years are the youth of a church and the old age of a
human abode.
Public-domain text, read in full here on John Shaqi.
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