For all this, though, the young ladies filled this grave house with
delightful reminiscences. At certain hours childhood sparkled in this
cloister. The bell for recreation was rung, the gate creaked on its
hinges, and the birds whispered to each other, "Here are the children."
An irruption of youth inundated this garden, which with its cross-walks
resembled a pall. Radiant faces, white foreheads, ingenuous eyes,
full of gay light--all sorts of dawn--spread through the gloom. After
the psalm-singing, the bell-ringing, and the services, the noise of
girls, softer than the buzzing of bees, suddenly burst out. The hive
of joy opened, and each brought her honey; they played, they called
each other, they formed groups, and ran about; pretty little white
teeth chattered at corners; in the distance veils watched the laughter,
shadows guarded the beams,--but what matter! they were radiant, and
laughed. These four mournful walls had their moment of bedazzlement;
vaguely whitened by the reflection of so much joy, they watched this
gentle buzzing of the swarm. It was like a shower of roses falling
on this mourning. The girls sported beneath the eye of the nuns, for
the glance of impeccability does not disturb innocence; and, thanks
to these children, there was a simple hour among so many austere
hours. The little girls jumped about and the elder danced, and nothing
could be so ravishing and august as all the fresh, innocent expansion
of these childish souls. Homer would have come here to dance with
Perrault, and there were in this black garden, youth, health, noise,
cries, pleasure, and happiness enough to unwrinkle the brows of all the
ancestry, both of the epic poem and the fairy tale, of the throne and
the cottage, from Hecuba down to La Mère Grand. In this house, more
perhaps than elsewhere, those childish remarks were made which possess
so much grace, and which make the hearer laugh thoughtfully. It was
within these four gloomy walls that a child of four years of age one
day exclaimed,--"Mother, a grown-up girl has just told me that I have
only nine years and ten months longer to remain here. What happiness!"
Here too it was that the memorable dialogue took place:--
_A vocal mother_.--Why are you crying, my child?
_The child_ (six years old), sobbing.--I said to Alix that I knew my
French history. She says that I don't know it, but I do know it.
_Alix_, the grown-up girl (just nine).--No. She does not know it.
_Mother_.--How so, my child?
_Alix_.--She told me to open the book haphazard, and ask her a question
out of the book, which she would answer.
"Well?"
"She did not answer it."
"What was it you asked her?"
"I opened the book as she said, and I asked her the first question that
I came across."
"And pray what was the question?"
"It was, '_What happened next?_'"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account