While reading himself this lecture,--for there were occasions on
which Marius was his own pedagogue, and reproached himself more than
he deserved,--he looked at the wall which separated him from the
Jondrettes, as if his pitying glance could pass through the partition
and warm the unhappy beings. The wall was a thin coating of plaster
supported by laths and beams, and which, as we have stated, allowed
the murmurs of words and voices to be distinctly heard. A man must be
a dreamer like Marius not to have noticed the fact before. No paper
was hung on either side of the wall, and its clumsy construction was
plainly visible. Almost unconsciously Marius examined this partition;
for at times reverie examines, scrutinizes, and observes much as
thought does. All at once he rose, for he had just noticed near the
ceiling a triangular hole produced by the gap between three laths. The
plaster which once covered this hole had fallen off, and by getting on
his chest of drawers he could see through this aperture into the room
of the Jondrettes. Commiseration has, and should have, its curiosity,
and it is permissible to regard misfortune traitorously when we wish to
relieve it. "Let me see," thought Marius, "what these people are like,
and what state they are in." He clambered on the drawers, put his eye
to the hole, and looked.
CHAPTER VI.
THE WILD-BEAST MAN IN HIS LAIR.
Cities, like forests, have their dens, in which everything that is
most wicked and formidable conceals itself. The only difference is,
that what hides itself thus in cities is ferocious, unclean, and
little, that is to say, ugly; what conceals itself in the forests is
ferocious, savage, and grand, that is to say, beautiful. Den for den,
those of the beasts are preferable to those of men; and caverns are
better than hiding-places. What Marius saw was a low den. Marius was
poor, and his room was indigent; but in the same way as his poverty
was noble his room was clean. The garret into which he was now looking
was abject, dirty, fetid, infectious, dark, and sordid. The furniture
only consisted of a straw-bottomed chair, a rickety table, some old
broken glass, and in the corners two indescribable beds. The only light
came through a sky-light with four panes of glass and festooned with
spider-webs. Through this came just sufficient light for the face of a
man to seem the face of a spectre. The walls had a leprous look, and
were covered with gashes and scars, like a face disfigured by some
horrible disease, and a dim moisture oozed from them. Obscene designs,
clumsily drawn in charcoal, could be distinguished on them.
Public-domain text, read in full here on John Shaqi.
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