This girl was to Marius a sort of emissary from the darkness, and she
revealed to him a hideous side of night. Marius almost reproached
himself for the preoccupations of reverie and passion which, up to this
day, had prevented him from taking a glance at his neighbors. To have
paid their rent was a mechanical impulse, which any one might have had;
but he, Marius, ought to have done better. What, only a wall separated
himself from these abandoned creatures, who lived groping in night,
beyond the pale of other living beings! He elbowed them, he was to some
extent the last link of the human race which they could touch; he heard
them living, or rather dying, by his side, and he paid no attention to
them! Every moment of the day he heard them, through the wall, coming,
going, and talking--and he did not listen! and in their words were
groans, and he did not hear them! His thoughts were elsewhere,--engaged
with dreams, impossible sun-beams, loves in the air, and follies; and
yet, human creatures, his brethren in Christ, his brethren in the
people, were slowly dying by his side, dying unnecessarily! He even
formed part of their misfortune, and he aggravated it. For, if they had
had another neighbor, a neighbor more attentive, less chimerical, an
ordinary and charitable man, their indigence would evidently have been
noticed, their signals of distress perceived, and they might perhaps
have been picked up and saved long before. They doubtless seemed very
depraved, very corrupt, very vile, and indeed very odious; but persons
who fall without being degraded are rare; besides, there is a stage
where the unfortunate and the infamous are mingled and confounded in
one word,--a fatal word, "Les Misérables," and with whom lies the
fault? And then, again, should not the charity be the greater the
deeper the fall is?
Public-domain text, read in full here on John Shaqi.
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