The pavilion, built of stone, in the Mansard taste, and panelled and
furnished in the Watteau style, rock-work outside, old-fashioned
within, and begirt by a triple hedge of flowers, had something
discreet, coquettish, and solemn about it, befitting the caprices of
love and a magistrate. This house and this passage, which have now
disappeared, still existed fifteen years ago. In 1793 a brazier bought
the house for the purpose of demolishing it, but as he could not pay,
the nation made him bankrupt, and thus it was the house that demolished
the brazier. Since then the house bad remained uninhabited, and fell
slowly into ruins, like every residence to which the presence of man
no longer communicates life. The old furniture was left in it, and
the ten or twelve persons who pass along the Rue Plumet were informed
that it was for sale or lease by a yellow and illegible placard which
had been fastened to the garden gate since 1810. Toward the end of
the Restoration the same passers-by might have noticed that the bill
had disappeared, and even that the first-floor shutters were open.
The house was really occupied, and there were short curtains at the
windows, a sign that there was a lady in the house. In October, 1829,
a middle-aged man presented himself and took the house as it stood,
including of course the outhouse and the passage leading to the Rue
de Babylone, and he had the two secret doors of this passage put in
repair. The house was still furnished much as the president had left
it, so the new tenant merely ordered a few necessary articles, had the
paving of the yard put to rights, new stairs put in, and the windows
mended, and eventually installed himself there with a young girl and
an old woman, without any disturbance, and rather like a man slipping
in than one entering his own house. The neighbors, however, did not
chatter, for the simple reason that he had none.
Public-domain text, read in full here on John Shaqi.
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