It was at this identical time that Marius was slowly descending to the
abyss, and said, "If I could only see her again before I die!" If his
wish had been realized, if he had at that moment seen Cosette looking
at a Lancer, he would have been unable to utter a word, but expired of
grief. Whose fault would it have been? Nobody's. Marius possessed one
of those temperaments which bury themselves in chagrin and abide in it:
Cosette was one of those who plunge into it and again emerge. Cosette,
however, was passing through that dangerous moment,--the fatal phase
of feminine reverie left to itself, in which the heart of an isolated
maiden resembles those vine tendrils which cling, according to chance,
to the capital of a marble column or to the sign-post of an inn. It
is a rapid and decisive moment, critical for every orphan, whether
she be poor or rich; for wealth does not prevent a bad choice, and
misalliances take place in very high society. But the true misalliance
is that of souls; and in the same way as many an unknown young man,
without name, birth, or fortune, is a marble capital supporting a
temple of grand sentiments and grand ideas, so a man of the world,
satisfied and opulent, who has polished boots and varnished words, if
we look not at the exterior but at the interior,--that is to say, what
is reserved for the wife,--is nought but a stupid log obscurely haunted
by violent, unclean, and drunken passions,--the inn sign-post.
What was there in Cosette's soul? Passion calmed or lulled to sleep,
love in a floating state; something which was limpid and brilliant,
perturbed at a certain depth, and sombre lower still. The image of
the handsome officer was reflected on the surface, but was there any
reminiscence at the bottom, quite at the bottom? Perhaps so, but
Cosette did not know.
A singular incident occurred.
CHAPTER II.
COSETTE'S FEARS.
Public-domain text, read in full here on John Shaqi.
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