In the first fortnight of April Jean Valjean went on a journey; this,
as we know, occurred from time to time at very lengthened intervals,
and he remained away one or two days at the most. Where did he go?
No one knew, not even Cosette; once only she had accompanied him in
a hackney coach, upon the occasion of one of these absences, to the
corner of a little lane which was called, "Impasse de la Planchette."
He got out there, and the coach carried Cosette back to the Rue de
Babylone. It was generally when money ran short in the house that Jean
Valjean took these trips. Jean Valjean, then, was absent; and he had
said, "I shall be back in three days." At night Cosette was alone in
the drawing-room, and in order to while away the time, she opened her
piano and began singing to her own accompaniment the song of Euryanthe,
"Hunters wandering in the wood," which is probably the finest thing
we possess in the shape of music. When she had finished she remained
passive. Suddenly she fancied she heard some one walking in the garden.
It could not be her father, for he was away; and it could not be
Toussaint, as she was in bed, for it was ten o'clock at night. Cosette
was near the drawing-room shutters, which were closed, and put her ear
to them; and it seemed to her that it was the footfall of a man who was
walking very gently. She hurried up to her room on the first floor,
opened a Venetian frame in her shutter, and looked out into the garden.
The moon was shining bright as day, and there was nobody in it. She
opened her window; the garden was perfectly calm, and all that could be
seen of the street was as deserted as usual.
Cosette thought that she was mistaken, and she had supposed that she
heard the noise. It was an hallucination produced by Weber's gloomy
and wonderful chorus, which opens before the mind bewildering depths;
which trembles before the eye like a dizzy forest in which we hear the
cracking of the dead branches under the restless feet of the hunters,
of whom we catch a glimpse in the obscurity. She thought no more of
it. Moreover, Cosette was not naturally very timid: she had in her
veins some of the blood of the gypsy, and the adventurer who goes about
barefooted. As we may remember, she was rather a lark than a dove, and
she had a stern and brave temper.
Public-domain text, read in full here on John Shaqi.
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