These two fortresses were built by two men, Cournet and Barthélemy:
Cournet made the St. Antoine barricade, Barthélemy the Temple
barricade, and each of them was the image of the man who built it.
Cournet was a man of tall stature; he had wide shoulders, a red face, a
smashing fist, a brave heart, a loyal soul, a sincere and terrible eye.
He was intrepid, energetic, irascible, and stormy; the most cordial
of men, and the most formidable of combatants. War, contest, medley
were the air he breathed, and put him in good temper. He had been an
officer in the navy, and from his gestures and his voice it could be
divined that he issued from the ocean and came from the tempest; he
continued the hurricane in battle. Omitting the genius, there was in
Cournet something of Danton, as, omitting the divinity, there was
in Danton something of Hercules. Barthélemy, thin, weak, pale, and
taciturn, was a species of tragical gamin, who, having been struck by
a policeman, watched for him, waited for him, and killed him, and at
the age of seventeen was sent to the galleys. He came out and built
this barricade. At a later date, when both were exiles in London,
Barthélemy killed Cournet: it was a melancholy duel. Some time after
that, Barthélemy, caught in the cog-wheels of one of those mysterious
adventures in which passion is mingled, catastrophes in which French
justice sees extenuating circumstances and English justice only sees
death, was hanged. The gloomy social edifice is so built that, owing to
maternal denudation and moral darkness, this wretched being, who had
had an intellect, certainly firm and possibly great, began with the
galleys in France and ended with the gibbet in England. Barthélemy only
hoisted one flag,--it was the black one.
CHAPTER II.
NOTHING TO DO IN THE ABYSS BUT TALK.
Public-domain text, read in full here on John Shaqi.
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